Organization

Soprano

Hannah Morrison

soprano

Helena Hozová

Countertenor

Benno Schachtner

Tenor

Krystian Adam

tenor

Bass

Tomáš Král

bass

Jaromír Nosek

Müpa Budapest

Handel: Israel in Egypt

Handel: Israel in Egypt: Concert Various

Public

Israel in Egypt

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Baritone

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

From time to time in the history of music, a composition that was at first disliked by audiences later became very popular. It is an even rarer phenomenon, however, when the reason for the piece's eventual popularity also formed the basis for its earlier rejection. George Frideric Handel composed the biblical oratorio Israel in Egypt in the autumn of 1738, while the text was compiled by Charles Jennens, the librettist of Messiah. The audience reacted negatively to the piece's 1739 première at the King's Theatre in London, probably because they were not accustomed to choral parts that were as long and prominent. Handel's creation, however, was to become exceptionally popular in the 19th century, which, according to historians, was due precisely to the choir's leading role. What are we to make of this? Was Handel, a Baroque composer, ahead of his time, and did he envision something about the monumental demands of audiences of the Romantic period?
With this oratorio, Müpa Budapest is offering a truly international production. Soloists include the soprano Hannah Morrison, born in the Netherlands, the German male alto Benno Schachtner and Polish tenor Krystian Adam. The orchestra, choir and conductor are all part of the Collegium 1704 ensemble founded in 1991 by Czech conductor, harpsichordist and horn player Václav Luks, along with his compatriots. Luks earlier earned valuable experience during his time as a horn soloist in the Akademie für Alte Musik Berlin. Collegium 1704 specialises in Baroque music, especially the works of Bach, Handel and Czech composer Zelenka. They will therefore be on familiar ground when performing Israel in Egypt.

English

Handel: Israel in Egypt by Händel, Ó (2022/2022)

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid