Name: Hercules
Start: 2015-02-26T00:00:00.000Z
End: 2015-02-26T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Bass

Matthew Rose

Hercules

Mezzo-soprano

Alice Coote

Dejanira

Soprano

Elizabeth Watts

Iole

Tenor

James Gilchrist

Hylluse

Contralto

Rupert Enticknap

Lichas

Conductor

Harry Bicket

Libretto

Thomas Broughton

MusikTheater an der Wien

Others

Choir of the English Concert

Orchestra

The English Concert

angličtina

Vienna

Austria

Theater an der Wien

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Four years before the premiere in early January 1745, Georg Friedrich Handel had given up his efforts on the opera and turned entirely to the oratorio. Nevertheless, like Semele, which was written a year earlier, he expressly referred to it as a “musical drama”, with which he probably wanted to underline the dramatic character of these two works. The first performance of Herculeswas a failure - short-term cancellations and hoarse singers had, as contemporary witnesses reported, led to unintentionally grotesque situations. In contrast to the ancient sources, in Thomas Broughton's libretto the jealousy of Hercules' wife is unfounded. Handel's interest in this work is not so much the title hero, but especially the tragic behavior of his wife Dejanira, which is inherent in pathological traits. With her, Handel created one of his most exciting and modern female figures, which can only be explained with the help of psychology.
Herculesmay elude the usual classification according to genre, but in the opinion of the Handel specialist Silke Leopold it is one of the most historically significant, dramatically moving and musically wonderful works from the pen of Georg Friedrich Handel.

English

Hercules by Händel, Od (2015/2015), Dirigent Harry Bicket, Theater an der Wien, Vienna, Austria

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Program, Informace a Synopsis

Další čtení

Termíny a místa představení

Divadla/scény