Organization

Chanteur

Ténor

Ed Lyon

Hippolyte

Soprano

Christiane Karg

Aricie

Mezzo-soprano

Sarah Connolly

Phèdre

Basse

Stéphane Degout

Thésée

François Lis

Pluton

Jupiter

Neptune

Stéphanie d'Oustrac

Diane

Julie Pasturaud

Oenone

Baryton

Samuel Boden

Mercure

Aimery Lefèvre

Arcas

Parque 2

Loïc Félix

Tisiphone

Ana Quintans

L'Amour

Une Matelote

Emmanuelle de Negri

Grande-Prêtresse

Chasseresse

Mathias Vidal

Suivant de L'Amou

Parque 1

Callum Thorpe

Parque 3

Direction d'orchestre

William Christie

Mise en scène

Jonathan Kent

Décors

Paul Brown

Chorégraphie

Ashley Page

Lumières

Mark Henderson

Costumes

Orchestra

Orchestra of the Age of Enlightenment

Others

The Glyndebourne Chorus

Glyndebourne

français

Hippolyte et Aricie

Royaume-Uni

Opera House

Ebert Room

Lewes

In Glyndebourne’s first-ever staging of an opera by Rameau, director Jonathan Kent presents a production which, in his own words, "strives to appeal to every sense and show audiences how engrossing and musically ravishing French Baroque opera can be". Rameau’s inventive take on Racine’s great tragedy Phèdre is brought to life by Paul Brown’s colourful and elegant designs and Ashley Page’s playful choreography. Ed Lyon and Christiane Karg give captivating performances as the titular young lovers, while Sarah Connolly, making a welcome return to Glyndebourne, "invests Phaedra with both grandeur and a desperately human vulnerability" (The Independent). Leading exponent of early music William Christie "sets an exhilarating pace, galvanising the Orchestra of the Age of Enlightenment to playing of tremendous panache" (The DailyTelegraph).

Rameau was praised as "the Orpheus of our century" after the premiere of Hippolyte et Aricie. Experience the French composer's groundbreaking tragédie en musique in Jonathan Kent's 2013 Glyndebourne re-interpretation, starring Ed Lyon as Hippolytus, Christiane Karg as Aricia, and Sarah Connolly as Phaedra.

Jonathan Kent and William Christie's 2013 Hippolyte et Aricie was Glyndebourne's first-ever French Baroque opera production, and proved to be a smash hit, with critics declaring, "Few nights at the opera will be as rewarding as this one." (The Arts Desk) Kent's incredibly engaging modern staging intertwined with the cast's captivating interpretations of the titular young lovers' story and the masterful performance of the Orchestra of the Age of Enlightenment led by the great William Christie. 

1733 saw the Paris premiere of Rameau's first tragédie en musique, a collaboration with Montclair's librettist Abbé Simon-Joseph Pellegrin based on Racine's tragedy Phèdre. The new work proved incredibly provocative, dividing the musical world of mid-18th century Paris into Rameau's supporters (the "ramistes") and the traditionalist supporters of the old order represented by Lully (the "lullistes"). To 18th century French ears, Rameau's music seemed strange, dissonant, and even inhuman, not to mention unplayable. The controversy defined Parisian musical culture for the next 20 years, reviving each time Rameau produced a daring new opera.

Hippolyte et Aricie Rameau

Public

anglais

Valide

Jean-Philippe Rameau: Hippolyte et Aricie
Act III

Sarah Connolly: Phaedre

The Glyndebourne Chorus
Christopher Bucknall: Chorus director
Orchestra of the Age of Enlightenment
William Christie: Conductor

Concert recorded at Glyndebourne (Lewes, Great Britain), 2014.

©  Glyndebourne, François Roussillon et Associés, Mezzo, NHK

Hippolyte et Aricie by Rameau, Du (2013/2013), Dirigé par Jonathan Kent,, Chef d'orchestre William Christie, Opera House, Glyndebourne, Royaume-Uni

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles