Organization

Śpiewak

Tenor

César Cortés

Hrabia Almaviva

Marco Filippo Romano

Don Bartolo

Mezzosopran

Paola Leguizamón

Rozyna

Baryton

Roberto de Candia

Figaro

Andrea Concetti

Don Bazylio

Sopran

Laura Cherici

Berta

Reżyseria

Federico Grazzini

Dyrygent

Pier Giorgio Morandi

Reżyseria światła

Daniele Naldi

Kostiumy

Stefania Scaraggi

Scenografia

Manuela Gasperoni

Nicolò Ceriani

Fiorello

Paolo Faroni

Ambroży

Przygotowanie chóru

Gea Garatti Ansini

Gianluca Monti

Oficer

Nicolò Donini

Teatro Comunale di Bologna

włoski

Il barbiere di Siviglia -  (Cyrulik sewilski)

Bolonia

Włochy

Il barbiere di Siviglia Rossini

Public

Cyrulik sewilski

Approved

For the cycle Let’s talk about Opera we present:
The Opera and the Comedy of Art - The Barber of Seville
The birth of the funny Italian opera finds great inspiration in the comedy tradition of art, which brings realistic subjects, colloquial language and entangled and hilarious plotlines even using a few characters.
David Riondino will reveal to us the close connection between two types of shows in which Italy has been the protagonist all over the world.
Introduces
Superintendent M° Fulvio Macciardi
Guests
David Riondino

Il barbiere di Siviglia

Composed in just over two months, Il Barbiere di Siviglia is considered Gioachino Rossini's masterpiece. The first performance took place in Rome in February 1816 and it was probably due to the short time available that the now consolidated comedy by Beaumarchais was chosen as the subject, which at the time had already been set to music six times. In this work Rossini often makes use of musical material already used in other works, for example his famous symphony was written first for the Aureliano in Palmyra and then also present in Elizabeth, Queen of England . The Barber of Seville it was not immediately appreciated by the public, but in a short time it became a symbol of the comic opera and of the Rossini style.

The story sees the succession of comic found by Figaro, the city's barber and factotum, to allow Rosina and the Count d'Almaviva to get married in spite of the will of Don Bartolo, the girl's tutor.

English

Cyrulik sewilski by Rossini, od (2021/2021), W reżyserii Federico Grazzini,, Dyrygent Pier Giorgio Morandi, Teatro Comunale di Bologna, Bolonia, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca