Organization

Stage director

Alexander Titel

Conductor

Timur Zangiev

Wolf Gorelik

Lighting designer

Damir Ismagilov

Costume designer

Vladimir Arefiev

Set designer

Chorus master

Stanislav Lykov

Singer

Tenor

Liparit Avetisyan

The Count of Almaviva

Dmitry Nikanorov

Bass

Maxim Orlov

Doctor Bartolo

Roman Ulybin

Mezzo-soprano

Daria Terekhova

Rosina

Natalia Zimina

Baritone

Stanislav Li

Figaro

Dmitry Zuev

Igor Korostylev

Don Basilio

Felix Kudryavtsev

Dmitry Ulyanov

Soprano

Maria Pakhar

Berta

Natalia Vladimirskaya

Veronika Viatkina

Andrej Baturkin

Fiorello

Dmitry Kondratkov

An officer

Libretto

Cesare Sterbini

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

italština

Il barbiere di Siviglia -  (The Barber of Seville)

Moscow

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Il barbiere di Siviglia

Public

Private

The Barber of Seville

Approved

Il barbiere di Siviglia Rossini

Опера Джоаккино Россини. Дирижер: Тимур Зангиев, режиссер-постановщик: Александр Титель, художник-постановщик: Владимир Арефьев.Дон Базилио: Дмитрий УльяновЗ...

The action of Il barbiere di Siviglia is set…no matter where and when indeed. In Beaumarchais’ stage directions one reads “old Spanish costumes”, Rossini moved the action to the XVIII century which was not old but rather contemporary for the writer. One of the famous productions went as far as to show Beaumarchais and Rossini’s characters as Turkish or Arabs. Though Italy is very kindred to this story. It is an immense pleasure to watch this pointless but full of true human stories narrative evolving in an ambiance of jauntily dressed silent passers-by, neighbours chewing their pasta, a whole herd of rare motorbikes and worn-out furniture that would fit quite well into one’s parents’ apartment. The classical Spanish story is not set in sunny jolly festal Spain but in snow-covered Italy from Euronews and Italian neo-realistic films…

English

Výkonnostní kredity (Obsazení a štáb )

Obsazení

Osádka