Organization

Arizona Opera

Dyrygent

Roberto Kalb

Reżyseria

Joshua Borths

Scenografia

Barry Steele

Śpiewak

Mezzosopran

Elizabeth Sutphen

Rozyna

Véronique Filloux

Tenor

Santiago Ballerini

Hrabia Almaviva

Brian Wallin

Baryton

Alexander Birch Elliott

Figaro

Aubrey Allicock

Don Bartolo

Peter Barber

Don Bazylio

Sopran

Lauren Cook

Berta

Jeremy Aye

Oficer

Orchestra

Arizona Opera Orchestra

włoski

Il barbiere di Siviglia -  (Cyrulik sewilski)

Tucson

Stany Zjednoczone

The Linda Ronstadt Music Hall (formerly Tucson Music Hall)

Phoenix

Symphony Hall

Il barbiere di Siviglia Rossini

Public

Cyrulik sewilski

angielski

hiszpański

Approved

Love, mistaken identity, and humor are woven throughout The Barber of Seville, Rossini’s comic opera masterpiece. The Barber of Seville is considered one of the greatest opera buffa of all time, maintaining its popularity for over two hundred years.

Count Almaviva falls hopelessly in love with the beautiful Rosina, the young ward of a grumpy and elderly Bartolo who intends to marry her and claim her dowry. Dressed in disguise, Almaviva tries to earn Rosina’s affection for who he really is, rather than for his money and status. Almaviva assumes multiple identities including a poor student, a drunken soldier, and a singing tutor and priest. With the help of his companion Figaro, Almaviva stops at nothing as he pursues Rosina through a series of comical hijinks and bait-and-switch facades. Eventually revealing his true identity, he manages to win Rosina’s heart and the pair evade the disgruntled Bartolo, with love and laughter triumphing in the end.

English

Cyrulik sewilski by Rossini, od (2024/2024), W reżyserii Joshua Borths,, Dyrygent Roberto Kalb, Symphony Hall, Phoenix, Stany Zjednoczone

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca