Organization

Śpiewak

Roman Ulybin

Don Bartolo

Baryton

Andrej Baturkin

Fiorello

Tenor

Dmitry Nikanorov

Hrabia Almaviva

Dmitry Ulyanov

Don Bazylio

Dmitry Kondratkov

Oficer

Mezzosopran

Daria Terekhova

Rozyna

Sopran

Veronika Viatkina

Berta

Dyrygent

Wolf Gorelik

Reżyseria

Alexander Titel

Scenografia

Vladimir Arefiev

Kostiumy

Reżyseria światła

Damir Ismagilov

Przygotowanie chóru

Stanislav Lykov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

włoski

Il barbiere di Siviglia -  (Cyrulik sewilski)

Moskwa

Rosja

Stanislavsky and Nemirovich-Danchenko Music Theater

Public

Cyrulik sewilski

Approved

The action of The Barber of Seville takes place ... Actually, it is not so important when and where. In Beaumarchais, the remarks indicate the “ancient Spanish costumes” of the characters, in Rossini the action is relegated to the 18th century, which for Beaumarchais was not “ancient”, but quite modern to him. In one of the famous performances of the Paris Opera, the story composed by Beaumarchais and Rossini is either about the Turks or about the Moors. In any case, the situations and characters are still the same: the cunning, adventurous commoner Figaro, the Count (we agree that there are counts in many countries today), an elderly man named Bartolo and his young pupil Rosina. The situations and characters are the main thing. It is also important that Gioacchino Rossini, who defined the genre of his opera as opera buffa, wrote a brilliant work full of energy, “typical”, but no less vital ups and downs from this, and his heroes, as well as the heroes of Beaumarchais (as you know, Figaro Beaumarchais completely copied from himself) are quite reliable.

English

Cyrulik sewilski by Rossini, od (2022/2022), W reżyserii Alexander Titel,, Dyrygent Wolf Gorelik, Stanislavsky and Nemirovich-Danchenko Music Theater, Moskwa, Rosja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Dalsza lektura

Daty i miejsca występów

Miejsca