Name: Il barbiere di Siviglia
Start: 2013-03-24T00:00:00.000Z
End: 2013-05-24T00:00:00.000Z
Location: Musiktheater im Revier

Organization

Singer

Tenor

Hongjae Lim

The Count of Almaviva

Bass

Joachim G Maaß

Doctor Bartolo

Mezzo-soprano

Alfia Kamalova

Rosina

Dong-Won Seo

Don Basilio

Baritone

Michael Dahmen

Figaro

Piotr Prochera

Sun-Myung Kim

Fiorello

Soprano

Noriko Ogawa-Yatake

Berta

Jerzy Kwika

An officer

Conductor

Valtteri Rauhalammi

Stage director

Michaela Dicu

Costume designer

Ilka Kops

Set designer

Vera Koch

Video

Andreas Etter

Arrangements

Axel Goldbeck

Chorus master

Christian Jeub

Dramaturge

Anna Grundmeier

Musiktheater im Revier

이탈리아어

Il barbiere di Siviglia -  (The Barber of Seville)

Gelsenkirchen

Germany

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

독일어

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The poor student Lindoro - in reality Count Almaviva in disguise - is singing for his life, Doctor Bartolo has even ordered the wedding bann. They all want only one thing: to conquer Rosina's heart and her dowry. However, she wants nothing more than to finally break out of the house of her guardian, Doctor Bartolo. Almaviva, with the help of his former servant Figaro, manages to get closer to his goal. Disguised as a drunken soldier and later as a music teacher, he gets in touch with Rosina and confesses his love for her. Only when keys are stolen, a storm brewing at the right time, the opaqueness of nocturnal actions and sufficient bribes bring everyone to the hoped-for goal: Almaviva wins Rosina for herself - and Bartolo at least her dowry.
When Rossini composed his "Barber of Seville" within a single month, he was well aware of the public pressure: 30 years before him, Paisiello and Mozart had successfully set Beaumarchais' famous story Figaro and its sequel to music. With the writing of his "Figaro trilogy" between 1775 and 1792, the French writer created a multi-faceted comedy in which, over a period of 20 years, he chronicled Rosina's connection with Count Almaviva, her transgressions, Figaro's career and his family involvement with Bartolo and Marzelline in Seville and Paris. Not least thanks to Rossini, the ludicrous characters still maintain their place in music theater literature to this day - curtain up on the first telenovela in opera history!

English

Der arme Student Lindoro – in Wahrheit der verkleidete Graf Almaviva – singt um sein Leben, Doktor Bartolo hat sogar schon das Hochzeitsaufgebot bestellt. Sie alle wollen nur das Eine: Rosinas Herz und Mitgift erobern. Diese wünscht sich jedoch nichts sehnlicher, als endlich aus dem Haus ihres Vormunds Doktor Bartolo auszubrechen. Almaviva schafft es mit der Hilfe seines ehemaligen Dieners Figaro, sich seinem Ziel zu nähern. Getarnt als betrunkener Soldat und später als Musiklehrer nimmt er Kontakt zu Rosina auf und gesteht ihr seine Liebe. Erst der Raub von Schlüsseln, ein termingerecht aufziehender Sturm, die Undurchsichtigkeiten nächtlicher Aktionen und ausreichend Bestechungsgeld bringen alle ans erhoffte Ziel: Almaviva gewinnt Rosina für sich – und Bartolo immerhin ihre Mitgift.
Als Rossini innerhalb eines einzigen Monats seinen „Barbier von Sevilla“ komponierte, war er sich des öffentlichen Drucks wohl bewusst: Schon 30 Jahre vor ihm hatten Paisiello und Mozart erfolgreich Beaumarchais‘ berühmte Geschichte Figaros und ihre Fortsetzung vertont. Mit der Niederschrift seiner „Figaro-Trilogie“ hatte der französische Schriftsteller zwischen 1775 und 1792 eine facettenreiche Komödie geschaffen, in der er über einen Zeitraum von 20 Jahren die Verbindung Rosinas mit dem Grafen Almaviva, ihre Verfehlungen, Figaros Werdegang und seine familiären Verstrickungen mit Bartolo und Marzelline in Sevilla und Paris beschreibt. Nicht zuletzt dank Rossini behaupten die aberwitzigen Figuren bis heute ihren festen Platz in der Musiktheaterliteratur – Vorhang auf für die erste Telenovela der Operngeschichte!

Deutsch

The Barber of Seville by Rossini, 월 20 5월 2013, 에서 (2013/2013), 감독 Michaela Dicu,, 지휘자 Valtteri Rauhalammi, Musiktheater im Revier, Gelsenkirchen, Germany

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