Name: Il barbiere di Siviglia
Start: 2015-02-16T00:00:00.000Z
End: 2015-03-06T00:00:00.000Z
Location: Bozar

Admin

Organization

Cantor

Tenor

Topi Lehtipuu

Il conte d'Almaviva

Soprano

Mari Eriksmoen

Rosina

Barítono

Pietro Spagnoli

Bartolo

Andrè Schuen

Figaro

Fulvio Bettini

Basilio

Baixo

Christoph Seidl

Un notaro

Maestro

René Jacobs

Diretor de Palco

Moshe Leiser

Patrice Caurier

Cenógrafo

Christian Fenouillat

Estilista

Agostino Cavalca

Designer de Iluminação

Christophe Forey

Erik Årman

Il giovinetto

Un alcade

Libretto

Giuseppe Petrosellini

MusikTheater an der Wien

Orchestra

Freiburger Barockorchester

italiano

Il barbiere di Siviglia -  (O Barbeiro de Sevilha)

Bruxelas

Bélgica

Bozar

Salle Henry Le Boeuf

O Barbeiro de Sevilha

alemão

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Contralto

Baixo-barítono

Mezzo-soprano

Alto

Silent

Spoken

Vocalista Infantil

Il barbiere di Siviglia Paisiello

Pierre-Augustin Caron de Beaumarchais (1732-1799), court watchmaker, inventor, writer, diplomat and adventurer, offered Le barbier de Séville to the Comédiens of Italy as an opera libretto in 1772 . When they refused, he rewrote it into a play that celebrated a triumphant success in the Comédie-Française in 1775. Beaumarchais was so full of ideas for the fate of the characters around his jack of all trades Figaro that a whole trilogy was created, which exactly reflects the rapid development of social conditions in the last third of the 18th century. Giovanni Paisiello's setting of the first piece was commissioned by Catherine II in St. Petersburg in 1782 and quickly became extremely successful throughout Europe.

In Seville, Rosina is looked after in his house by her guardian Bartolo, because since the young woman is beautiful and rich, Bartolo wants to marry her. But Rosina has another admirer: a student, Lindoro, has been secretly courting her for some time. She likes the young man much better than her guardian. Lindoro is the disguised Count Almaviva, known as a seducer. This time, however, he is seriously in love, he wants to make Rosina his wife, even though she is a middle-class woman. He assures himself of the help of Figaro, who as a doctor, pharmacist and barber has free access to the Bartolos house. Bartolo, however, has heard that the notorious Almaviva is in town and correctly suspects that he might be targeting his ward. He tries to hasten the marriage, but Figaro and Almaviva devise counter-intrusions.

English

O Barbeiro de Sevilha by Paisiello, sex 27 fev 2015, De (2015/2015), Dirigido por Moshe Leiser, Patrice Caurier,, Regente René Jacobs, Bozar, Bruxelas, Bélgica

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

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Locais de Eventos