Organization

Reżyseria

Miklós-Gábor Kerényi

Dyrygent

Sándor Gyüdi

Tamás Pál

Scenografia

Attila Kovacs

Śpiewak

Tenor

György Hanczár

Hrabia Almaviva

Péter Balczó

Mezzosopran

Éva Kovács

Rozyna

András Kiss

Don Bartolo

Antal Cseh

Bence Pataki

Don Bazylio

Tamás Altorjay

Sopran

Júlia Vajda

Berta

Milán Taletovics

Oficer

Szeged National Theatre

Others

Choir of the Szeged National Theater

Orchestra

Szeged Symphony Orchestra

Ballet

Dance choir of the Szeged National Theater

Il barbiere di Siviglia -  (Cyrulik sewilski)

Szeged

Węgry

National Theatre

Il barbiere di Siviglia Rossini

Public

Cyrulik sewilski

Approved

Rossini's The Barber of Seville, composed in 1816, is the best-known and most played piece in the genre of comedy. Beaumarchais built a comedy trilogy around Figaro, the cunning barber, Count Almaviva, and Susanna, the count’s love, later his wife. The first comedy has already won several operas in the previous four decades, but their success has been overshadowed by Rossini’s work.

The excellent comedy characters and the action, which creates amusing situations, praise Beaumarchais ’stage talent, and the genius of the witty, energetic music, otherwise composed in just two or three weeks, Rossini. After the memorable productions in Szeged in recent decades, the presentation, which is a collaboration between several theaters, is now being staged in a new translation. The co-production provides an opportunity for opera singers, who perform less frequently in Szeged, to appear in Szeged in addition to the popular members of the cast.

English

Cyrulik sewilski by Rossini, od (2017/2017), W reżyserii Miklós-Gábor Kerényi,, Dyrygent Sándor Gyüdi, Tamás Pál, National Theatre, Szeged, Węgry

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca