Organization

Śpiewak

Sopran

Ralitsa Ralinova

Cassandra

Mezzosopran

Iris Marie Sojer

Clitemestra

Kontratenor

Rupert Enticknap

Guardiano

Baryton

Simon Stricker

Agamemnon

Bas - baryton

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Dyrygent

Johannes Pell

Reżyseria

Nigel Lowery

Scenografia

Przygotowanie chóru

Markus Baisch

Dramaturgia

David Greiner

Kostiumy

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

włoski

Il canto s'attrista, perche?

Wuppertal

Niemcy

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

niemiecki

Approved

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent