Name: Il mondo della luna
Start: 2018-07-04T00:00:00.000Z
End: 2018-07-14T00:00:00.000Z
Location: New College

Organization

Stage director

Michael Burden

Conductor

Steven Devine

Singer

Tenor

Daniel Shelvey

Ecclitico

Countertenor

Daniel Keating-Roberts

Ernesto

Soprano

Kate Semmens

Clarice

Rachel Shannon

Flaminia

Mezzo-soprano

Indyana Schneider

Lisetta

Alexander Gebhard

Cecco

New Chamber Opera

ingelesa

Il mondo della luna -  (Life on the Moon)

Oxford

United Kingdom

New College

Warden's Garden

Public

Life on the Moon

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Bass-baritone

Baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

The central character of Haydn’s opera Il Mondo della Luna is a rather dotty and egotistical but naive old man, Bonafede. He is entranced by the lunar lifestyle invented by Ecclitico, the false astronomer. The aim of the opera is to befuddle Bonafede into allowing his two daughters to marry: Flaminia to Ernesto, and Clarice to Ecclitico. The opera was performed in celebration of the wedding of Count Nikolaus EszterhÃ¡zy (son of Haydn’s employer, Prince EszterhÃ¡zy) and the Countess Maria Anna Weissenwolf on August 3, 1777, but very rarely (if at all) thereafter. It underwent a number of changes, and it is clear that there is not one but many versions of the piece.

The opera was a pathbreaker in a number of ways. Up until 1776 there was no regular operatic tradition at the EszterhÃ¡zy court, where Haydn was composer and Kapellmeister. He had composed several well-received operas, including L’infedeltÃ  delusa (performed by New Chamber Opera in 2014) but it was not until the completion of the new EszterhÃ¡zy theatre that he began to compose operas on a regular basis. Haydn not only wrote new operas but promoted works by other composers’ new repertoire. It has undergone some revival in the last few years, in particular, in two different productions by English Touring Opera

English

Life on the Moon by Haydn, lr. 14 uzt. 2018, Noiztik (2018/2018), Zuzendaria Michael Burden,, Zuzendaria Steven Devine, New College, Oxford, United Kingdom

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