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Teatro alla Scala

Opéra National de Paris

Teatro Carlo Felice

Direction d'orchestre

Direction d'orchestre (+2)

Ingo Metzmacher

Mise en scène

Mise en scène (+3)

Damiano Michieletto

Décors

Décors (+1)

Paolo Fantin

Costumes

Costumes (+2)

Carla Teti

Dramaturge

Dramaturge (+1)

Mattia Palma

Baryton (+2)

Lucas Meachem

Guglielmo da Baskerville

Mezzo-soprano (+4)

Kate Lindsey

Adso da Melk

Soprano (+4)

Katrina Galka

La Ragazza del Villaggio

Statua della Vergine

Basse (+3)

Gianluca Buratto

Jorge da Burgos

Daniela Barcellona

Bernardo Gui

Baryton (+5)

Marco Filippo Romano

Abbone da Fossanova

Roberto Frontali

Salvatore

Ténor (+1)

Giorgio Berrugi

Remigio da Varagine

Contre-ténor (+4)

Owen Willetts

Malachia

Ténor

Giovanni Sala

Severino da Sant’Emmerano

Contre-ténor (+5)

Carlo Vistoli

Berengario da Arundel

Adelmo da Otranto

Ténor (+3)

Leonardo Cortellazzi

Venanzio

Giovanni Dalbena

Adrien Mathonat

Girolamo Vescovo di Caffa

Cuciniere

Orchestra

Orchestre du Théâtre de La Scala de Milan

Chorus

Children's Choir of Accademia Teatro alla Scala

Chorégraphie

Chorégraphie (+1)

Erika Rombaldoni

Lumières

Fabio Barettin

With the world première of Il nome della rosa, an opera based on Umberto Eco’s novel commissioned to Francesco Filidei by La Scala and the Paris Opéra, Piermarini’s stage is once again at the centre of the international panorama of contemporary culture. Il nome della rosa, conducted by Ingo Metzmacher, is the composer’s third opera after Giordano Bruno and L’inondation. Taking his cues from Eco’s descriptions of his novel as an ‘opera buffa’, Filidei develops the music with a central symphonic structure as rootstock for a succession of arias and recitativi, nearly closed forms whose substance derives principally from the variation of Gregorian melodies. In conjunction with the La Scala performances, Milano Musica will also dedicate a monographic edition to Filidei.

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