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Teatro alla Scala

Opéra National de Paris

Teatro Carlo Felice

Dyrygent

Dyrygent (+2)

Ingo Metzmacher

Reżyseria

Reżyseria (+3)

Damiano Michieletto

Scenografia

Scenografia (+1)

Paolo Fantin

Kostiumy

Kostiumy (+2)

Carla Teti

Dramaturgia

Dramaturgia (+1)

Mattia Palma

Baryton (+2)

Lucas Meachem

Guglielmo da Baskerville

Mezzosopran (+4)

Kate Lindsey

Adso da Melk

Sopran (+4)

Katrina Galka

La Ragazza del Villaggio

Statua della Vergine

Bas (+3)

Gianluca Buratto

Jorge da Burgos

Daniela Barcellona

Bernardo Gui

Baryton (+5)

Marco Filippo Romano

Abbone da Fossanova

Roberto Frontali

Salvatore

Tenor (+1)

Giorgio Berrugi

Remigio da Varagine

Kontratenor (+4)

Owen Willetts

Malachia

Tenor

Giovanni Sala

Severino da Sant’Emmerano

Kontratenor (+5)

Carlo Vistoli

Berengario da Arundel

Adelmo da Otranto

Tenor (+3)

Leonardo Cortellazzi

Venanzio

Giovanni Dalbena

Adrien Mathonat

Girolamo Vescovo di Caffa

Cuciniere

Orchestra

Orchestra del Teatro alla Scala

Chorus

Children's Choir of Accademia Teatro alla Scala

Choreograf

Choreograf (+1)

Erika Rombaldoni

Reżyseria światła

Fabio Barettin

With the world première of Il nome della rosa, an opera based on Umberto Eco’s novel commissioned to Francesco Filidei by La Scala and the Paris Opéra, Piermarini’s stage is once again at the centre of the international panorama of contemporary culture. Il nome della rosa, conducted by Ingo Metzmacher, is the composer’s third opera after Giordano Bruno and L’inondation. Taking his cues from Eco’s descriptions of his novel as an ‘opera buffa’, Filidei develops the music with a central symphonic structure as rootstock for a succession of arias and recitativi, nearly closed forms whose substance derives principally from the variation of Gregorian melodies. In conjunction with the La Scala performances, Milano Musica will also dedicate a monographic edition to Filidei.

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