Name: Il prigioniero
Start: 2018-01-16T00:00:00.000Z
End: 2018-01-27T00:00:00.000Z
Location: La Monnaie

Admin

Organization

Singer

Soprano

Ángeles Blancas Gulín

The Mother

Baritone

Georg Nigl

The Prisoner

Tenor

John Graham-Hall

The Gaoler

Grand Inquisitor

Julian Hubbard

1. Priest

Guillaume Antoine

2. Priest

Conductor

Franck Ollu

Stage director

Andrea Breth

Set designer

Martin Zehetgruber

Costume designer

Nina von Mechow

Lighting designer

Alexander Koppelmann

Chorus master

Martino Faggiani

Dramaturge

Sergio Morabito

La Monnaie/De Munt

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

italiera

Il prigioniero -  (The Prisoner)

Brussels

Belgium

La Monnaie

Grande Salle

Il prigioniero Dallapiccola

frantsesa

nederlandera

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Countertenor

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

« Il prigioniero & Das Gehege » – jusqu’au 27 janvier à la Monnaie.Tickets → bit.ly/2Dy2FKC

A few hours before the premiere, Georg Nigl talks about “Il prigioniero” as well as his frequent collaborations with director Andrea Breth!

Il prigioniero & the enclosure - Interview Georg Nigl

‘Hope: the final torture...’ Ever since a jailer called him ‘brother’, a prisoner has hope that he will be freed. The door of his cell, however, opens to reveal a long corridor that leads to the stake – the illusion of freedom thus becomes, for him, the ultimate torture. At La Monnaie, the conductor Franck Ollu and the stage director Andrea Breth recently gave us an acclaimed version of Jakob Lenz by Wolfgang Rihm, a composer with whom they now collaborate again. Alongside the 20th century masterpiece Il prigioniero by Luigi Dallapiccola, they give us Das Gehege by Rihm, in which a woman frees an eagle from its cage before killing it. The flamboyant lyricism of Dallapiccola is followed by the poetic twilight world of Rihm. The two works form a diptych that explores the ambivalent relationship between the victim and the executioner as well as general questions about personal freedom and the possible dead ends in our so-called free world.

* Warning. During the performance of Das Gehege there is repeated use of stroboscopic effects. We would like to warn people who are sensitive to this kind of lighting effect that they may experience some discomfort or in extreme cases risk suffering a seizure.

English

The Prisoner by Dallapiccola, ar. 16 urt. 2018, Noiztik (2018/2018), Zuzendaria Andrea Breth,, Zuzendaria Franck Ollu, La Monnaie, Brussels, Belgium

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