Name: Il tabarro
Start: 2016-03-09T00:00:00.000Z
End: 2016-04-24T00:00:00.000Z
Location: National Theatre

Admin

Organization

Singer

Baritone

Vuk Zekić

Michele

Tenor

Nenad Čiča

Luigi

Bass

Mihailo Šljivić

Talpa

Soprano

Slađana Sarić

Giorgetta

Mezzo-soprano

Ljubica Vraneš

La Frugola

Slaven Čiča

Tinca

Conductor

Zorica Mitev-Vojnović

Stage director

Dejan Miladinović

Costume designer

Katarina Grčić Nikolić

Set designer

Aleksandar Zlatović

National Theatre Belgrade

Others

National Theatre Opera Chorus

Orchestra

Orchestra of the National Theatre Opera

Il tabarro -  (The Cloak)

Belgrade

Serbia

National Theatre

Il tabarro Puccini

Public

The Cloak

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Puccini is the greatest opera master after Verdi. In his works, he gives verismo a new direction and new content. Although the brutal verismo of the executioner's knife, the West American gallows and the military platoon (Tosca, The Girl from the West) determine the character and level of some of his works, the others (Cloak, Sister Angelica and Gianni Skiki) are reminiscent of the concentrated drama of the first of Italian verists, Puccini in his other works (Bohemia, Manon Lescaut) is reminiscent of French opera lyrics, or goes his own exotic way (Madame Butterfly, Turandot) .... Puccini was explicit for a time, the Triptych is one whole, so one play , and always had to be shown in its entirety. Luigi Ritchie claims that after a play in Florence in 1920, Puccini still saw that he was so old, the Triptych was terribly long and tiring, with breaks, almost four hours. "I'm tired, too, who am the author," and he allowed it to be shared. After that, Skiki went everywhere alone, with Cavalry or Clowns. And in London with Salome! Later, the Cloak began to experience satisfaction, conquering with its atmosphere on the river Seine and exceptional drama. Only Sister Angelica remained the festival opera, that is, the one that is sometimes given, although Sartori claims that it is the best, which was Puccini's opinion.

English

The Cloak by Puccini, sun 24 apr 2016, Frá (2016/2016), Leikstýrt af Dejan Miladinović,, Hljómsveitarstjóri Zorica Mitev-Vojnović, National Theatre, Belgrade, Serbia

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