Name: Il Trionfo del Tempo e del Disinganno
Start: 2022-06-24T00:00:00.000Z
End: 2022-06-24T00:00:00.000Z
Location: Palacio de Carlos V

Organization

Festival Internacional de Música y Danza de Granada

Conductor

Fabio Biondi

Singer

Soprano

Vivica Genaux

Piacere

Contralto

Sonia Prina

Deceit

Marie Lys

Beauty

Tenor

Francesco Marsiglia

Time

Others

Europa Galante

Il Trionfo del Tempo e del Disinganno -  (The Triumph of Time and Truth)

Granada

Spain

Palacio de Carlos V

Il Trionfo del Tempo e del Disinganno Händel

Public

The Triumph of Time and Truth

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass

Countertenor

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

An allegory about vanity

When Handel arrived in Italy at the end of 1706, opera was prohibited in Rome, but this did not deprive the cardinals and aristocrats of the papal capital of the passions that great lyrical works used to procure, which they now masked in the form of oratorios. Handel was a quick learner. Supported by his powerful patrons (Marquis Ruspoli, Cardinals Pamphili, Ottoboni, and Colonna), his activity knew no rest until in the spring of 1707 he wrote his first oratorio, and he did so on a text by Cardinal Pamphili , an authentic Vanitasbaroque made music, insofar as the brevity of beauty and pleasures are invoked in the face of the rigors of Time. A fully Italian work, which Fabio Biondi will face at the head of his group Europa Galante and an extraordinary cast of international soloists.

English

Una alegoría sobre la vanidad

Cuando Handel llegó a Italia a finales de 1706, la ópera estaba prohibida en Roma, pero no por ello se privaban los cardenales y aristócratas de la capital pontificia de las pasiones que solían procurar las grandes obras líricas, que enmascaraban ahora en forma de oratorios. Handel aprendió rápido. Apoyado en sus poderosos mecenas (el marqués Ruspoli, los cardenales Pamphili, Ottoboni y Colonna) su actividad no conocía descanso hasta que en la primavera de 1707 escribió su primer oratorio, y lo hizo sobre un texto del cardenal Pamphili, una auténtica Vanitas barroca hecha música, en cuanto en él se invoca la brevedad de la belleza y los placeres frente a los rigores del Tiempo. Una obra plenamente italiana, que Fabio Biondi afrontará al frente de su conjunto Europa Galante y un extraordinario elenco de solistas internacionales.

español

The Triumph of Time and Truth by Händel, ol. 24 eka. 2022, Noiztik (2022/2022), Zuzendaria Fabio Biondi, Palacio de Carlos V, Granada, Spain

Emanaldia kredituak (Antzezleku eta Ekipa )

Aktoreak

Programa, buruz eta sinopsia

Argazkiak

Irakurketa gehiago

Emanaldiaren datak eta lekuak

Lekuak