Name: Il Trionfo del Tempo e del Disinganno
Start: 2016-11-13T00:00:00.000Z
End: 2016-11-26T00:00:00.000Z
Location: Schiller Theater

Admin

Organization

Singer

Soprano

Hélène Le Corre

Beauty

Tenor

Charles Workman

Time

Conductor

Sébastien Rouland

Stage director

Jürgen Flimm

Gudrun Hartmann

Set designer

Erich Wonder

Costume designer

Florence von Gerkan

Lighting designer

Martin Gebhardt

Choreographer

Catharina Lühr

Contralto

Sara Mingardo

Deceit

Inga Kalna

Piacere

Sebastian Alphons

State Opera Berlin

Orchestra

Staatskapelle Berlin

이탈리아어

Il Trionfo del Tempo e del Disinganno -  (The Triumph of Time and Truth)

Berlin

Germany

Schiller Theater

IL TRIONFO DEL TEMPO DEL DISINGANNO 
 by George Frideric Handel 

 MUSICAL DIRECTION Sébastien Rouland 
 DIRECTION Jürgen Flimm 
 WITH Helene Le Corre, Sara Mingardo, Inga Kalna, Charles Workman 
 Staatskapelle Berlin 

 Further information: 
 https://bit.ly/32D7LDe

Staatsoper Unter den Linden

Il Trionfo del Tempo e del Disinganno Händel

Public

The Triumph of Time and Truth

독일어

Approved

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Baroque Trumpetist

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Spoken

Oratorio in two parts by George Frideric Handel Text by Benedetto Pamphili

I taly inspired. George Frideric Handel knew that too when he set out there in 1706. The following year he wrote his first oratorio, which was also to become one of his finest.

What actually happens when beauty (Bellezza) gets between the fronts of pleasure (Piacere) on the one hand and time (Tempo) and knowledge (Disinganno) on the other? She has to choose between them. She is exposed to insinuations that could hardly be more different. While Piacere tries to seduce Bellezza into a carefree life of immortal youth and glamorous splendour, Tempo and Disinganno have nothing less than eternity in mind than the here and now. In order to escape death and decay, beauty must seek a path that leads to insight. To look into the "mirror of truth" instead of giving in to the false temptations offered by the frivolous pleasure - that alone is the aim and meaning of life.

Four allegorical figures engage in a dispute, at the end of which Tempo and Disinganno triumph, while Pleasure loses out. A piece about beauty and transience, about the really big things. With »Il trionfo del Tempo e del Disinganno« the young George Frideric Handel created an enchanting work. His first oratorio, written and performed in Rome in 1707, is also one of his finest, full of inspired and inspirational music, with virtuoso arias and many touching moments. The »Italian Handel« at its best – given this music, it is only too understandable that he became famous throughout Europe early on. Jürgen Flimm's production, which has already been celebrated in Zurich and Madrid, can now be experienced again at the Schiller Theater.

English

Oratorium in zwei Teilen von Georg Friedrich Händel Text von Benedetto Pamphili

Italien inspiriert. Das wusste auch Georg Friedrich Händel, als er sich 1706 dorthin aufmachte. Im Jahr darauf schrieb er sein erstes Oratorium, das zugleich eines seiner schönsten werden sollte.

Was geschieht eigentlich, wenn die Schönheit (Bellezza) zwischen die Fronten des Vergnügens (Piacere) auf der einen Seite und der Zeit (Tempo) und der Erkenntnis (Disinganno) auf der anderen gerät? Sie muss sich zwischen ihnen entscheiden. Sie ist Einflüsterungen ausgesetzt, die verschiedener kaum sein könnten. Während Piacere versucht, Bellezza zu einem sorglosen Leben in unvergänglicher Jugend und glanzvoller Pracht zu verführen, haben Tempo und Disinganno statt des Hier und Heute nichts weniger als die Ewigkeit im Blick. Um Tod und Verfall zu entgehen, müsse die Schönheit einen Weg suchen, der sie zur Einsicht führt. In den »Spiegel der Wahrheit« zu sehen, anstelle falscher Verlockungen, die das leichtfertige Vergnügen bietet, nachzugeben – darin allein bestehen Ziel und Sinn des Lebens.

Vier allegorische Figuren führen einen Disput miteinander, an dessen Ende Tempo und Disinganno triumphieren, während das Vergnügen den Kürzeren zieht. Ein Stück über Schönheit und Vergänglichkeit, über die wirklich großen Dinge. Mit »Il trionfo del Tempo e del Disinganno« gelang dem jungen Georg Friedrich Händel ein hinreißendes Werk. Sein erstes Oratorium, 1707 in Rom geschrieben und aufgeführt, ist zugleich eines seiner schönsten, voll von inspirierter und inspirierender Musik, mit virtuosen Arien und vielen anrührenden Momenten. Der »italienische Händel« von seiner besten Seite – dass er schon frühzeitig in ganz Europa berühmt wurde, ist angesichts dieser Musik nur zu verständlich. Jürgen Flimms Inszenierung, die bereits in Zürich und Madrid gefeiert wurde, ist nun wieder im Schiller Theater zu erleben.

Deutsch

The Triumph of Time and Truth by Händel, 화 15 11월 2016, 에서 (2016/2016), 감독 Jürgen Flimm, Gudrun Hartmann,, 지휘자 Sébastien Rouland, Schiller Theater, Berlin, Germany

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