Name: Il trittico
Start: 2021-01-23T00:00:00.000Z
End: 2022-01-22T00:00:00.000Z
Location: Aalto Theatre

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Organization

Soprano

Jessica Muirhead

Sister Angelica

Contralto

Bettina Ranch

The Princess

Mezzo-soprano

Marie-Helen Joël

The Abbess

Liliana Sofia Ferreira de Sousa

Sister Zelatrice

Marion Thienel

The Mistress of the novices

Giulia Montanari

Sister Genovieffa

Conductor

Robert Jindra

Stage director

Roland Schwab

Set designer

Piero Vinciguerra

Costume designer

Gabriele Rupprecht

Chorus master

Jens Bingert

Patrick Jaskolka

Translator

Christian Schröder

Aalto-Musiktheater Essen

ítalska

Il trittico

Essen

Germany

Aalto Theatre

Il trittico: Suor Angelica Puccini

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þýska

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

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Organist

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hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

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Lighting designer

Dancer

Actor

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Choir

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Extra

Tenor

Singer

Bass-baritone

Baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

A jealousy drama in the style of a film noir in Paris on the Seine. The mystical transfiguration of a nun in a convent at the end of the 17th century. A medieval inheritance comedy set in Florence with so many turbulent twists and turns it's dizzying. Three stories, three operas, one evening. At first glance they do not have much in common, the one-act plays that Giacomo Puccini summarized under the appropriate if somewhat unwieldy title Il Trittico, a three-part triptych, in 1918 and published in New York at the Met. And yet they are linked together as one, representing three different ways of dealing with life and death. Is human existence a melodrama or rather a comedy? Or even a thriller? It depends on the perspective!

The one-act form has a long tradition in Italy since the comic intermezzi of baroque opera. In 1883, the Italian publisher Sonzogno suggested a possible direction to step out of the shadow of the extensive works of Wagner and Verdi when they announced a competition for one-act operas. Puccini still got nothing with his "Le Villi", but the idea of ​​writing a one-act play would not let him go. First he wanted to devote himself to three episodes from Dante's "Divine Comedy" and depict hell, purgatory and paradise. After almost 20 years of work and search for material, all that was left of Dante was the comic opera about the Florentine rogue Gianni Schicchi.

Despite this unusual structure, Puccini remains true to himself and his aesthetics: unhappy lovers, heartrending death scenes and an unerring sense of the needs of the little people make the one-act opera a great opera. And with the aria "O mio babbino caro" the composer wrote one of his most famous and popular melodies, which is also often used in films and advertising.

English

Il trittico by Puccini, fös 04 jún 2021, Frá (2021/2022), Leikstýrt af Roland Schwab,, Hljómsveitarstjóri Robert Jindra, Aalto Theatre, Essen, Germany

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