Admin

Organization

Baryton (+4)

Ludovic Tézier

Hrabia di Luna

Baryton (+2)

Artur Rucinski

Baryton (+1)

Dimitri Platanias

Sopran (+1)

Maria Agresta

Leonora

Sopran (+3)

Hibla Gerzmava

Lianna Haroutounian

Mezzosopran (+2)

Ekaterina Semenchuk

Azucena

Mezzosopran (+4)

Marie-Nicole Lemieux

Marina Prudenskaya

Tenor

Francesco Meli

Manrico

Piero Pretti

Bas (+2)

Roberto Tagliavini

Ferrando

Sopran (+2)

Cassandre Berthon

Inez

Tenor (+1)

Fabián Lara

Ruiz

Moisés Marín

Posłaniec

Dyrygent

Dyrygent (+1)

Maurizio Benini

Reżyseria

Reżyseria (+2)

Francisco Negrín

Scenografia

Louis Désiré

Reżyseria światła

Bruno Poet

Przygotowanie chóru

Andrés Máspero

Asystent dyrygenta

Jonathan Santagada

Teatro Real

Teatro Real de Madrid

włoski

Il trovatore -  (Trubadur)

Madryt

Hiszpania

One of the most popular in all opera repertoire: Il Trovatore. In a new production of the Teatro Real, Maurizio Benini conducts two casts of renowned Verdi stars: Ludovic Tézier, Maria Agresta, Ekaterina Semenchuk, Francesco Meli and Roberto Tagliavini, among many others. The complicated story, based on the play by Antonio García Gutiérrez, is told here in a big production by Francisco Negrín, in which he highlights the dramatic and enormous tension in this Verdi masterpiece.

From the impenetrable – and often delirious plot of Il trovatore, the aspect that without a shadow of a doubt most attracted Giuseppe Verdi was the profound vital contradiction in which Azucenafinds herself immersed, as filled with love for her son as full of hate for her mother. At all cost, the musician looked for a way to reveal the overflowing passions of this woman, and as such he defended it to his librettist, reaching the extreme of suggesting that they abandon the story if he was not convinced (as an alternative, he proposed focusing on a section of the plot which would end in an ‘illumination’ as in La Traviata). It was not necessary. The opera was developed over three years of frenetic musical activity and serious personal problems, but Verdi achieved what he was looking for. With an almost rampant termperament and an overpowering impetus, Il trovatoreoverflows with dramatic tension and musical geniality, resulting in a story of love and revenge which increases in intensity throughout, irrepressible, leading to the final catastrophe. From the very moment of its première, the opera increased in popularity, and now over a century and a half later, it continues to be a resounding height of opera repertory

Il trovatore

Opera

Trubadur

hiszpański

angielski

Los gitanos españoles, entre los que se encuentra una Azucena atormentada, alaban al trabajo duro, al buen vino y a las gitanas.Considerado como una de las i...

The Troubadour: Coro de los gitanos | Teatro Real

Approved

Il trovatore (Trubadur), Verdi

Obsada

Il Conte di Luna

Leonora

Azucena

Manrico

Ferrando

Ines

Ruiz

Un messo

Załoga

Reżyseria

Dyrygent

Asystent dyrygenta

Scenografia

Przygotowanie chóru

Reżyseria światła

Instrumentacja

Producent

Producent

Ensemble

Współproducent

Promowane filmy

Zdjęcia