Iolanta by Tchaikovsky, P. I., ig. 27 urr. 2019, Noiztik (2019/2020), Zuzendaria Andriy Zholdak, Zuzendaria Alexander Vedernikov (II), Andrey Petrenko, Mikhailovsky Theater, Saint Petersburg, Russia

Pyotr Tchaikovsky found the inspiration for his last opera in a tale of medieval France. Iolanta, the daughter of King René, has been blind since birth, but is unaware of her misfortune. Cradled in loving care, she lives a quiet, happy life, in ignorance of her blindness, until a young knight happens to enter her home. In a very literal sense, the opera celebrates love and its curative powers. Indeed, it is only after she falls in love, experiences spiritual pain, and overcomes her fear, that Iolanta is able to see. In the finale, the choir extols the universe, the light of reason, morality, and purity. The production is bathed in light, which heightens its delicate musical lyricism and reinforces the story’s main theme of the victory of light over darkness.