Name: James Gaffigan
Start: 2022-11-05T00:00:00.000Z
End: 2022-11-05T00:00:00.000Z
Location: Isarphilharmonie

Organization

Admin

Symphonieorchester des Bayerischen Rundfunks

Conductor

James Gaffigan

Orchestra

Instrumentalist

Ramón Ortega Quero

Oboe

Mor Biron

Bassoon

Radoslaw Szulc

Violin

Giorgi Kharadze

Cello

Munich

Germany

Isarphilharmonie

James Gaffigan: Sinfonia concertante in B-flat major, Hob.I:105 Haydn (+1 More)

Public

Sinfonia concertante in B-flat Major, Hob.I:105

Symphony No. 5 in C-Sharp Minor

Paul Koneri

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Singer

Mezzo-soprano

Baritone

Tenor

Bass-baritone

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

“My Fifth Symphony is an accursed creation. No one understands it.” Only after Mahler’s death did the initial incomprehension change to admiration for this forward-looking piece. Yearning for death and affirmation of life, Weltschmerz and fulfilment, sorrow and joy: all lie side-by-side in this symphony, as so often in Mahler. It opens with a funeral march, its centre is a Ländler followed by a musical declaration of love, and it ends in an apotheosis. James Gaffigan precedes Mahler’s trailblazing sonic universe with Haydn’s Sinfonia concertante, a work no less modern for its own era. By having four solo instruments (oboe, bassoon, violin and cello) stand out from the orchestral tutti, Haydn situates the piece between an instrumental concerto and a symphony – a welcome task for soloists from the ranks of the orchestra.

English

»Meine 5. Sinfonie ist ein verfluchtes Werk. Niemand capiert sie.« Erst nach Mahlers Tod wandelte sich das anfängliche Unverständnis in Bewunderung für die zukunftsweisende Komposition. Todessehnsucht und Lebensbejahung, Weltschmerz und Erfüllung, Leid und Freude liegen in dieser Symphonie, wie so oft bei Mahler, eng beieinander. Am Anfang steht ein Trauermarsch, in der Mitte ein Ländler, gefolgt von einer musikalischen Liebeserklärung, und am Ende die Apotheose. James Gaffigan stellt der bahnbrechenden Mahler’schen Klangwelt mit der Sinfonia concertante von Haydn ein Werk voran, das für seine Zeit ebenfalls modern war. Indem Haydn hier vier Solostimmen (Oboe, Fagott, Violine, Cello) aus dem Orchestertutti heraushebt, bewegt sich das Stück zwischen Instrumentalkonzert und Symphonie – auch für die Solist*innen aus den Reihen des Orchesters eine willkommene Aufgabe.

Deutsch

James Gaffigan by Haydn, Mahler, Minn (2022/2022), Surmast Direttur James Gaffigan, Isarphilharmonie, Munich, Germany

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