Name: Kalîla wa Dimna
Start: 2016-12-11T00:00:00.000Z
End: 2016-12-14T00:00:00.000Z
Location: Opéra

Admin

Organization

Singer

Karima Skalli

Kalîla

Moneim Adwan

Dimna

Mohamed Jebali

Le Roi

Reem Talhami

La Mère du Roi

Jean Chahid

Chatraba

Conductor

Zied Zouari

Set designer

Éric Charbeau

Philippe Casaban

Costume designer

Nathalie Prats

Lighting designer

Sébastien Revel

Stage director

Olivier Letellier

Opéra de Lille

arabiera

frantsesa

Kalîla wa Dimna -  (Kalila and Dimna)

Lille

France

Opéra

Public

Kalila and Dimna

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Tenor

Countertenor

Contralto

Bass

Soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Dans les coulisses de la création de l'opéra "Kalîla wa Dimna" de Moneim Adwan. --------------------In the backstage of the world creation of Moneim Adwan's ...

Kalîla wa Dimna Adwan

If Italy has Machiavelli and his Prince, China Sun Tzu and his Art of War, the Arab world has inscribed in Kalîla wa Dimnahis golden rules for the education of princes. Taken from an epic India of the 3rd century, translated into Persian then adapted into Arabic for the greatest literary pleasure of the caliphs, these lively and often funny fables draw a world where it is better to know how to hold one's tongue in the face of the powerful, and where all the truths are not good to say. Poetic and political, they will soon conquer medieval Europe, then inspire Le Roman de Renart, La Fontaine, the Grimm brothers... Born in the Gaza Strip, trained in the classical traditions of Arab music and the joys of its popular repertoire, the composer Moneim Adwan has designed this fable-opera for an audience of all ages, sung in French and Arabic. To tell the story of these twins with opposing aspirations, the realistic Kalîla and the ambitious Dimna, Adwan wanted “a reduced orchestra made up of instrumentalists from all over the world, who will mainly play oriental music. However, adds the composer, I have been living in France for several years and I have absorbed a lot of European culture.Kalîla wa Dimna will therefore also result from this marriage between Arab and European cultures.” An enchanted reflection on the fatality of power, carried by the breath of the tale.

English

Kalila and Dimna by Adwan, ig. 11 abe. 2016, Noiztik (2016/2016), Zuzendaria Olivier Letellier,, Zuzendaria Zied Zouari, Opéra, Lille, France

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