Name: Kanon Pokajanen
Start: 2019-06-30T00:00:00.000Z
End: 2019-06-30T00:00:00.000Z
Location: Sant'Apollinare in Classe

Admin

Ravenna Festival

Dirigent

Kaspars Putnins

Others

Chœur de Chambre Philharmonique Estonien

Kanon Pokajanen

Ravenna

Italien

Sant'Apollinare in Classe

Kanon Pokajanen: Kanon Pokajanen Pärt

Public

Larissa Andrea Pereira

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

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Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

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Wig & Makeup Designer

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Countertenor

Sångare

Baritone

Soprano

Tenor

Bass

Bass-baritone

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Era da tanti anni che Arvo Pärt, avvicinandosi alla Chiesa ortodossa russa, aveva intrapreso lo studio della lingua slava ecclesiastica quando, nel 1998, l’Estonian Philharmonic Chamber Choir, diretto da Tõnu Kaljuste, eseguì in prima assoluta il Canone del Pentimento che il compositore aveva dedicato loro, per il 750° anniversario della Cattedrale di Colonia. Quel testo penitenziale che lo aveva conquistato da subito è appunto nell’arcaico idioma slavo, ed è proprio da esso che tutto si dipana, come lo stesso autore spiega, per far sì che la parola trovi il proprio suono. Suono scaturito da due lunghi anni di lavoro: una sola tonalità, re minore, ma una scrittura estremamente elaborata, frutto dell’incontro tra il canto sacro russo e bizantino e l’incedere corale che Pärt ha maturato nel tempo fin dall’inconfondibile stile “tintinnabuli”.

italiano

Arvo Pärt had long been involved in the tradition of the Russian Orthodox Church, and was studying Church Slavonic when, in 1998, he dedicated his Canon of Repentance to the Estonian Philharmonic Chamber Choir directed by Tõnu Kaljuste, who premièred it in commemoration of the 750th anniversary of the Cologne Cathedral. The Canon’s penitential text in the archaic Slavic idiom had immediately conquered Pärt, who explained that “the words define the music, based on the construction of the text”. Although it remains in a single tonal area (D minor), the Canon is intricately organized and took over two years to compose, resulting from the encounter of the Russian/Byzantine sacred chant with the choral pacing Pärt had been developing from his unmistakable “tintinnabuli” style.

English

Kanon Pokajanen by Pärt, Från (2019/2019), Dirigent Kaspars Putnins, Sant'Apollinare in Classe, Ravenna, Italien

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