Organization

Dirección orquestal

Elena Schwarz

Dirección de escena

Dirección de escena (+2)

Barbara Wysocka

Escenografía

Escenografía (+1)

Barbara Hanicka

Diseño de vestuario

Julia Kornacka

Iluminación

Benedikt Zehm

Soprano

Corinne Winters

Katia

Tenor (+1)

Adam Smith

Boris Grigorievitch

Mezzosoprano (+3)

Natascha Petrinsky

Kabanicha

Tenor (+4)

Benjamin Hulett

Vana Kudrjas

Barítono (+2)

Paweł Trojak

Kuligin

Bajobarítono (+4)

Willard White

Savel Prokofjevic Dikoj

Tenor (+2)

Robert Lewis

Un hombre

Oliver Johnston

Tichon Ivanyc Kabanov

Ena Pongrac

Varvara

Dirección coral

Dirección coral (+3)

Benedict Kearns

Soprano (+1)

Giulia Scopelliti

Feklusa

Mezzosoprano (+1)

Karine Motyka

Glasa

Alexandra Guérinot

Una mujer

Asistente del director de orquesta

Michael Cobb

Opéra de Lyon

Orchestra

Lyon Opera Orchestra

Chorus

Lyon Opera Choir

Others

Studio of the Opéra de Lyon

Opéra Nouvel de Lyon

In 1917, Leoš Janáček, 63, met the young mother Kamila Stösslová, 26, and fell madly in love with her, to the point of writing her more than 700 letters and making her the muse of the works he would compose in the eleven years he has left to live.
Ambivalent Fascination: Kamila doesn't like her. From the extraordinary vitality of the heroines of Diary of a Disappeared or The Cunning Little Fox to the harshness of Emilia in The Makropoulos Affair or to the suicide of the heroine of Katia Kabanova, Janáček's unhappy passion powerfully inspires his writing and his female characters. For the staging, the choice of the young Polish artist Barbara Wysocka, violinist, actress, creator of extraordinary images and environments, theater and opera director is the promise of a surprising discovery.
Two other women are at the helm: the young conductor Elena Schwarz, and the scenographer Barbara Hanicka.

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