Name: Kavakos Yo-Yo-Ma Ax: Beethoven
Start: 2023-07-16T00:00:00.000Z
End: 2023-07-16T00:00:00.000Z
Location: Eglise de Verbier

Organization

Verbier Festival

Sångare

Leonidas Kavakos

Violin

Yo-Yo Ma

Cello

Emanuel Ax

Piano

Instrumentalist

Kavakos / Yo-Yo-Ma / Ax: Beethoven

Bagnes

Schweiz

Eglise de Verbier

Kavakos / Yo-Yo-Ma / Ax: Beethoven: Symphony No. 4 in B♭ Major, op. 60 (+1 More)

Public

Piano Trio in B-flat Major, Op. 97

Symphony No. 4 in B-flat Major, op. 60 (arr. S. Wosner)

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dirigent

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Contralto

Bass-baritone

Soprano

Tenor

Mezzo-soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Hearing a symphony through the prism of chamber music may be a rare opportunity in 2023, but when Beethoven penned his Fourth Symphony in 1806, this would have been how many people heard it first. A mysterious, brooding Adagio opens, eventually giving way to a triumphant Allegro. The slow movement then contrasts a smooth, long-lined melody with a military-style march rhythm. After a rumbustious Scherzo punctuated by a slower Trio, Beethoven rounds things off with a Finale of Haydn-esque playfulness. His Piano Trio No 7 of 1811 meanwhile is symphonic in size and conception with its four (rather than the usual three) movements. A noble, spacious and often richly textured Allegro leads to a Scherzo, begun by strings alone, whose carefree lilt gets interrupted by a darker, fugal Trio. A lyrical Andante follows, ending on a cautious question, quickly answered by the multi-faceted final rondo.

English

Kavakos / Yo-Yo-Ma / Ax: Beethoven by Beethoven, Från (2023/2023), Eglise de Verbier, Bagnes, Schweiz

Föreställningskrediter (Medverkande & produktionsteam )

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