Organization

Dyrygent

Dyrygent (+3)

Simone Young

Reżyseria

Reżyseria (+4)

Claus Guth

Scenografia

Scenografia (+4)

Christian Schmidt

Kostiumy

Ursula Kudrna

Reżyseria światła

Reżyseria światła (+1)

Olaf Freese

Wideo

Carmen Zimmermann

Wideo (+1)

Roland Horvath

Przygotowanie chóru

Przygotowanie chóru (+2)

Dani Juris

Bas (+4)

Mika Kares

Knyaz Ivan Khovansky

Tenor

Najmiddin Mavlyanov

Knyaz Andrey Khovansky

Tenor (+3)

Stephan Rügamer

Knyaz Vasiliy Golitsin

Baryton (+5)

Vladislav Sulimsky

Shaklovitiy

Mezzosopran (+4)

Marina Prudenskaya

Marfa

Sopran (+3)

Anna Samuil

Susanna

Kompozytor / -ka (+4)

Steve Davislim

Podyachiy

Sopran (+2)

Evelin Novak

Emma

Baryton (+4)

Arttu Kataja

Pastor

Baryton (+3)

Roman Trekel

Varsonofyev

Andrés Moreno García

Kuzka

Tenor (+2)

Johan Krogius

Streshnev

Baryton (+2)

Taehan Kim

Perviy Strelets

Bas (+2)

Friedrich Hamel

Vtoroy Strelets

State Opera Berlin

Orchestra

Staatskapelle Berlin

Dramaturgia

Dramaturgia (+3)

Yvonne Gebauer

Rebecca Graitl

Taras Shtonda

Dosifey

Baryton (+1)

George Gagnidze

Andrei Popov

Choreograf

Reżyseria (+5)

Tabatha McFadyen

Asystent Reżysera I Kierownik Wieczornego Spektaklu

Staatsoper Unter den Linden

Chorus

Staatsopernchor Berlin

Kinderchor der Staatsoper Berlin

Modest Mussorgsky’s national folk drama centres on a grim episode of late 17th-century Russian history. Ivan Khovansky, leader of the musketeer corps (streltsy), and his son Andrei, are planning a conspiracy, but the ambitious Prince Vasily Golitsyn, the boyar Shaklovity and cleric Dosifey also get involved in the struggle for power.

While still working on »Boris Godunow«, the composer Modest Mussorgsky began to think about a new opera project in 1872. Inspired by the writer Vladimir  Stasov, he began to read intensively about the circumstances of the Streltsy Uprising against Tsar Peter I and Sofia Alekseyevna. »I revel in collecting material, my head glows like a kettle that is constantly being replenished,« Mussorgsky wrote to his librettist Stasov. In many places, the composer deviated from historical accuracy to create new dramaturgical connections and contrast the political drama with the sphere of personal, amorous entanglements.
Mussorgsky was unable to complete the score before his death in 1881. Owing to Nikolai Rimsky-Korsakov’s intervention, who not only orchestrated the work but also deleted or thoroughly reworked large sections, »Khovanshchina« was performed years later. It was not until the early 1930s that a piano version of the original score was published, which also formed the basis for the newly-instrumented version of Claus Guth’s production under the musical direction of Vladimir Jurowski.

rosyjski

Khovanshchina

Berlin

Niemcy

Khovanshchina Mussorgsky

Opera

niemiecki

angielski

CHOWANSCHTSCHINA  Spielzeit 2023/24 | Season 2023/24MUSIK VON |  MUSIC BY Modest MussorgskyMUSIKALISCHE LEITUNG | MUSICAL DIRECTION Simone YoungINSZENIERUNG ...

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