Name: Koncert Symfoniczny
Start: 2024-03-08T00:00:00.000Z
End: 2024-03-09T00:00:00.000Z
Location: Filharmonia Narodowa

Organization

Conductor

Andrey Boreyko

Instrumentalist

Benjamin Schmid

Violin

Orchestra

Warsaw Philharmonic

Koncert Symfoniczny

Warsaw

Poland

Filharmonia Narodowa

Sala Koncertowa

Koncert symfoniczny: Lohengrin Wagner, Richard (+3 More)

Public

Concert

Oratorio / Orchestral

Lohengrin

Violin Concerto in D Major, op. 61

Mathis der Maler (symphony)

Wachet auf, ruft uns die Stimme, BWV 645 (arr. G. Bantock)

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Baritone

Soprano

Mezzo-soprano

Tenor

Bass

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Choć współcześnie trudno wyobrazić sobie wirtuoza skrzypiec, który nie powracałby regularnie do monumentalnego, określonego wręcz królem gatunku, Koncertu D-dur op. 61 Ludwiga van Beethovena, kompozycja dość długo czekała na szersze zainteresowanie wśród wykonawców i słuchaczy. Zastanawiano się, jak dalece do chłodnego przyjęcia dzieła mógł przyczynić się sam kompozytor, który niemal do ostatniej chwili wprowadzać miał poprawki. Pierwsze pełne sukcesu wykonanie odbyło się dopiero po śmierci autora, z udziałem genialnego, dwunastoletniego skrzypka Josepha Joachima. Dyrygował Felix Mendelssohn-Bartholdy, który przeszedł do historii głownie jako wielki propagator muzyki Johanna Sebastiana Bacha. Rosnące zainteresowanie spuścizną lipskiego kantora zaowocowało powstaniem licznych orkiestrowych transkrypcji jego solowych utworów, między innymi chorałów organowych. Pod silnym wpływem Bacha pozostawało również wielu kompozytorów XX wieku, w tym jego rodak Paul Hindemith. Trzyczęściowa Symfonia „Mathis der Maler” – włączona później do opery pod tym samym tytułem – nawiązuje do jeszcze dawniejszych czasów. Bohaterem dzieła jest renesansowy malarz Matthias Grünewald. Kolejne części cyklu sugestywnie ilustrują sceny uwiecznione na jego słynnym ołtarzu z Isenheim. Na średniowiecznych legendach opiera się z kolei libretto Lohengrina Richarda Wagnera. Preludium do pierwszego aktu tej opery zabrzmi na początku koncertu.

Bartłomiej Gembicki

polski

Although nowadays it is hard to imagine a virtuoso violinist not returning regularly to Ludwig van Beethoven’s monumental Concerto in D major, Op. 61, described as the king of the genre, this composition took quite some time to generate wider interest among performers and listeners. Commentators have wondered how much the work’s cool reception was affected by the composer himself, who continued making corrections up to the very last minute. The first wholly successful performance only came after the composer’s death, with the brilliant 12-year-old violinist Joseph Joachim as soloist. The conductor on that occasion was Felix Mendelssohn-Bartholdy, known to have been a great propagator of the music of Johann Sebastian Bach. The growing interest in the oeuvre of the Leipzig cantor gave rise to numerous orchestral transcriptions of his solo works, including organ chorales. Many twentieth-century composers were also strongly influenced by Bach, including his compatriot Paul Hindemith. His three-movement symphony Mathis der Maler – later incorporated into an opera of the same title – refers to even earlier times. The work’s protagonist is the Renaissance artist Matthias Grünewald. The movements of this work suggestively illustrate scenes immortalised on his famous altar piece in Isenheim. Based on mediaeval legends, meanwhile, is the libretto of Richard Wagner’s Lohengrin. The prelude to the first act of that opera will be performed at the start of our concert.

Bartłomiej Gembicki

English

Koncert Symfoniczny by Wagner, Richard, Beethoven, Hindemith, Bach, J. S., fös 08 mar 2024, Frá (2024/2024), Hljómsveitarstjóri Andrey Boreyko, Filharmonia Narodowa, Warsaw, Poland

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