Name: Konzert in Villingen-Schwenningen
Start: 2022-04-05T00:00:00.000Z
End: 2022-04-05T00:00:00.000Z
Location: Franziskaner Konzerthaus

Organization

Piano

Christian Zacharias

Direction d'orchestre

Chanteur

Soprano

Ruby Hughes

Orchestra

Stuttgart Philharmonic

Konzert in Villingen-Schwenningen

Villingen-Schwenningen

Allemagne

Franziskaner Konzerthaus

Konzert in Villingen-Schwenningen: Concert Various

Public

Concert

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Ténor

Baryton

Contre-ténor

Baryton-basse

Contralto

Basse

Mezzo-soprano

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

The English composer Thomas Tallis lived during the reign of Queen Elizabeth I, the cultural peak of the English Renaissance. Ralph Vaughan Williams studied his music as a young man. Tallis's theme, which Williams fantasizes about in 1910, is a setting of the poignant Psalm verse "Why do the peoples rage, why do the nations plot in vain?"
Benjamin Britten's interest was not only in British culture, but also in the continent, particularly France, where Arthur Rimbaud's ten nearly untranslatable poems come from. Its lyrics and Britten's setting are filled with the spirit of the urban, which is transformed to a mystical and surreal level: »The Bacchantes from the suburbs are sobbing, and the moon burns and howls. Venus enters the caves of blacksmiths and hermits.« The
fact that Beethoven not only wrote an "Eroica" in 1803, which was originally to be called "Sinfonia Bonaparte", but also piano variations on the melody of the English royal anthem shows that he had sympathies for the British as well cherished, because his horizon was also that of a European.
With so many musical interdependencies of the European nations and so much inclination towards each other, the "Brexit" is also a deplorable cultural event. Christian Zacharias, internationally renowned pianist, conductor and author of this not-so-serious program about the relationship between the United Kingdom and the European continent, also found the right orchestral work for its conclusion: Haydn's 45th is not one of the twelve symphonies that he wrote for London composed, but it is a particularly expressive one, dramatic and with a uniquely staged farewell...

English

Konzert in Villingen-Schwenningen by Various, Du (2022/2022), Chef d'orchestre Christian Zacharias, Franziskaner Konzerthaus, Villingen-Schwenningen, Allemagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles