Organization

Conductor

Ivan Repušić

Stage director

Dora Ruždjak Podolski

Soprano

Valentina Fijačko

Mimi

Snežana Savičić Sekulić

Musetta

Gorana Biondić

Tenor

Tomislav Mužek

Rodolfo

Baritone

Kiril Manolov

Marcello

Alen Ruško

Schaunard

Bass

Luciano Batinić

Colline

Ozren Bilušić

Alcindoro

Franjo Pavić

Benoît

Božo Župić

Miroslav Ljubičić

Parpignol

Jadran Barišković

A customs sergeant

Tonči Banov

A customs officer

Set designer

Zvonimir Ivanović

Costume designer

Barbara Bourek

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

La Bohème

Split

Croatia

La bohème Puccini

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

In his second to the great operas, not in terms of formal grandeur, but in terms of value and success, after Manon Lescaut Puccini again addresses the world of marginals, people on the fringes of society, the small world of attics and bistros in the suburbs, failed poets, painters or musicians, girls who dream of wealth and success in the hustle and bustle of the city. And in such a world, born from Murget's text, he finds the reasons for his ingenious and so succinct musical dramaturgy, that tension of the desire for life that permeates all his works and, finally, that melodic imagination that is always completely in harmony with the psychology of the characters and the dramaturgy of the situations.

English

U svojoj drugoj do  velikih opera, ne u smislu formalne veličine, već u smislu vrijednosti i uspjeha, nakon Manon Lescaut Puccini se opet obraća svijetu marginalaca, osoba na rubovima društva, malom svijetu tavana i bistroa u predgrađu, neuspjelih pjesnika, slikara ili glazbenika, djevojaka što u gradskom metežu sanjaju o bogatstvu i uspjehu. I u takvom svijetu,  poniklom iz Murgetova teksta, on pronalazi razloge svoje genijalne i tako sažete glazbene dramaturgije, onaj napon životne žudnje što prožima sva njegova djela i, naposljetku, onu melodijsku maštovitost što se uvijek posve usuglašava s psihologijom likova i dramaturgijom situacija.

hrvatski

La Bohème by Puccini, 周四 22 2月 2007, 从 (2007/2007), 導演是 Dora Ruždjak Podolski,, 导体 Ivan Repušić, HNK, Split, Croatia

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