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ND Brno

Dyrygent

Dyrygent (+2)

Jakub Klecker

Dyrygent (+1)

Robert Kružík

Reżyseria

Magdalena Švecová

Scenografia

Scenografia (+4)

David Janošek

Kostiumy

Scenografia (+1)

Zuzana Přidalová

Reżyseria światła

Petr Kozumplík

Choreograf

Martin Šinták

Przygotowanie chóru

Klára Složilová Roztočilová

Przygotowanie chóru (+1)

Valeria Maťašová

Dramaturgia

Dramaturgia (+3)

Patricie Částková

Sopran (+1)

Pavla Vykopalová

Mimì

Jana Šrejma Kačírková

Tenor

Richard Samek

Rodolfo

Peter Berger

Baryton (+4)

Jiří Brückler

Marcello

Doubravka Součková

Musetta

Tereza Merklová Kyzlinková

Baryton (+3)

Lukáš Bařák

Schaunard

Baryton (+6)

Tadeáš Hoza

Bas (+6)

David Nykl

Colline

Bas (+3)

Jan Šťáva

David Szendiuch

Benoît

Jiří Sulženko

Alcindoro

Pavel Valenta

Parpignol

Tenor (+2)

Zoltán Korda

Martin Pavlíček

Sprzedawca

Baryton (+2)

Kornél Mikecz

Sierżant

Petr Karas

Celnik

Janáčkovo divadlo

The life of artists in a mansard in the Latin Quarter is a merry one. It doesn’t matter that there is no money for the rent, it’s snowing outside and a half-written novel is burning in the stove instead of coal. Rudolf, Marcello and Collin always manage somehow. What confuses them, though, is love. Marcello is troubled because of unstable and capricious Musetta, while Rudolf and dressmaker Mimi seem to be made for one another, but even there the idyll doesn’t last long. Puccini´ s La bohème was inspired by the French writer Henry Murger’s novel La Vie de bohème, a tale about the life of Parisian students and artists in the middle of the 19th century that rightfully became one of the most popular operas. Even though the composer was initially reluctant to set the topic to music, he created a piece that’s overflowing with joy as well as sadness, and the whirlwind of emotions hidden in the music will not fail to touch the heart of all who hear it. In La bohème, partly thanks to his own experiences from the period when he was a student at the Conservatory, when he found himself in similar situations to his fictitious opera compatriots, Puccini created an impressive and plausible picture of a famous Parisian quarter populated with diverse characters.

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