Name: La Bohème
Start: 2014-01-31T00:00:00.000Z
End: 2014-06-12T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Tenor

Tomáš Juhás

Rodolfo

Ludovit Ludha

Kyungho Kim

Baritone

Daniel Čapkovič

Marcello

Pavol Remenár

Aleš Jenis

Schaunard

Peter Mazalan

Bass

Jozef Benci

Colline

Peter Kellner

Soprano

Eva Hornyáková

Mimi

Katarína Juhásová-Štúrová

Jana Bernáthová

Musetta

Andrea Vizvári

Martin Malachovský

Benoît

Juraj Peter

František Ďuriač

Alcindoro

Ján Galla

Conductor

Martin Leginus

Friedrich Haider

Stage director

Peter Konwitschny

Verena Graubner

Set designer

Johannes Leiacker

Costume designer

Dramaturge

Vladimír Zvara

Chorus master

Ladislav Kaprinay

Igor Pasek

Parpignol

Jozef Kundlák

Martin Gyimesi

Daniel Hlásny

A customs sergeant

Martin Smolnický

Jiří Zouhar

A vendor

Michal Želonka

A customs officer

Slovak National Theatre

italiera

La Bohème

Bratislava

Slovakia

Slovak National Theatre Historical Building

La bohème Puccini

Public

eslovakiera

Approved

iacomo Puccini: Bohéma Legendary German opera director Peter Konwitschny returned to Bratislava to study another title - Puccini's Bohéma - after Eugene Onegin and Madame Butterfly. This work acquires a new form in its presentation, understandable not only to opera connoisseurs. The director tells a beautiful and sad story about four young men without money without sentimentality, simply and convincingly. The scenes of the opera are full of cheerfulness and often black humor of the "bohemians" who overlap their depressions and feelings of futility. Their jokes and their loves are in a way a struggle for life. Friedrich Haider loses nothing of his beauty and at the same time gains significantly in dramatic truthfulness and strength PREMIERE: Friday, January 31, 2014 at 7:00 PM Saturday 1.http://www.snd.sk/?cinohra&predst... All information and attractions about SND can be found on one domain:http://www.snd.sk/?opera&predstavenie...

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Legendary German opera director Peter Konwitschny returned to Bratislava to study another title in the SND, after Eugene Onegin and Madam Butterfly - Puccini's Bohemians. The director tells the engaging story of four poor young artists without sentimentality, simply and convincingly. Puccini's veristic interpretation mixes smiling scenes with tragic ones as a faithful picture of everyday life; and Konwitschny's view of him is penetrating and full of understanding. Where is the line between smile and crying? Are young men on the fringes of society just looking for a woman's arms, or is the desire for love their call for help? In the hands of director Konwitschny, Bohém does not lose any of his beauty - and at the same time he gains in dramatic truthfulness and strength.

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