Name: La cambiale di matrimonio
Start: 2012-10-21T00:00:00.000Z
End: 2012-11-09T00:00:00.000Z
Location: Theater am Fleischmarkt

Organization

Singer

Bass

Igor Bakan

Sir Tobia Mill

Soprano

Anna Maria Sarra

Fanny

Tenor

Andrew Owens

Edoardo Milfort

Ben Connor

Slook

Oleg Loza

Norton

Gaia Petrone

Clarina

Conductor

Konstantin Chudovsky

Stage director

Jacopo Spirei

Set designer

Nikolaus Webern

Costume designer

Libretto

Gaetano Rossi

MusikTheater an der Wien

Orchestra

Wiener KammerOrchester

italiera

La cambiale di matrimonio -  (The Marriage Contract)

Vienna

Austria

Theater am Fleischmarkt

La cambiale di matrimonio Rossini

The Marriage Contract

alemana

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Baritone

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

The premiere of La cambiale di matrimonio on November 10, 1810 at the Teatro San Moisè in Venice heralded the rediscovery of a composer who would determine international opera events for the next two decades. The 18-year-old, still inexperienced Rossini knew how to seize the opportunity offered by the commission of the impresario Antonio Cera and delivered much more than just a test of talent with his opera debut. Although in many ways still indebted to the great role model Domenico Cimarosa, one can find in La ambiale di matrimonioalready all those advantages that distinguish Rossini's art: pronounced stage instinct and a successful characteristic, yes psychological interpretation of the characters or melodic ingenuity and that typical, propulsive rhythm with which he was supposed to make his audience frenzy.

The English merchant Tobia Mill would like to marry his daughter Fanny to his American business partner Slook for a considerable sum. But she loves the poor young man Edoardo. After some turbulence, everything dissolves in favor, as Slook, overwhelmed by the deep love of the two young lovers, transfers the marriage change - the "cambiale di matrimonio" - to the young rival. Together we sing about the victory of love.

Since the intimate setting of the chamber opera is particularly suitable for the early masterpieces of Gioachino Rossini, this first stroke of genius of the “Swan of Pesaro” is
to be understood as the prelude to further Rossini one-act plays in the years to come.

Rossini had resurrected the golden age of Cimarosa with his music - according to the early Rossini admirer Stendhal. A new beginning as a new beginning - what more could the Vienna Chamber Opera wish for with this first production under the responsibility of the Theater an der Wien.

English

The Marriage Contract by Rossini, az. 24 urr. 2012, Noiztik (2012/2012), Zuzendaria Jacopo Spirei,, Zuzendaria Konstantin Chudovsky, Theater am Fleischmarkt, Vienna, Austria

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