Organization

Chanteur

Mezzo-soprano

Lamia Beuque

Angelina

Ténor

Camille Tresmontant

Don Ramiro

Baryton

Philippe Estèphe

Dandini

Basse

Franck Leguérinel

Don Magnifico

Soprano

Morgane Bertrand

Clorinda

Lucile Verbizier

Tisbe

Matthieu Toulouse

Alidoro

Mise en scène

Clément Poirée

Direction d'orchestre

Gaspard Brécourt

Costumes

Hanna Sjödin

Décors

Erwan Creff

Subtitling

David M. Dufort

Surtitrage

Clermont Auvergne Opéra

Opéra de Massy

Others

Choir Opéra Éclaté

Orchestra

Orchestra Opéra Éclaté

Concours international de chant de Clermont-Ferrand

italien

La Cenerentola -  (Cendrillon)

Clermont-Ferrand

France

Opéra-Théâtre

Public

Cendrillon

français

Valide

Bursts of freedom
If we thought we knew the story of Cinderella, we might be surprised by this Cenerentola , where in a happy and sassy carnival, everyone reverses their social role. The prince hides in the guise of the valet, the valet becomes prince for a time, the philosopher becomes a beggar, the dirty girl becomes a quite prickly princess, far from the usual victims of fairy tales ...
Twentieth opera by a composer of twenty-five years old, La Cenerentolade Rossini still vibrates with all the ideals of youth. It is a comedy of errors which plays on the most traditional figures of the tale, a comedy where pure love, nobility of the heart and kindness triumph over appearances, which one should definitely not be trusted. A breath of liberation, of joyous rebellion, blows on this opera, and Rossini's aerial music carries us here in a dreamlike whirlwind.
For Clément Poirée, man of the theater, “we are no longer quite here in the tale of Perrault or Grimm, but rather in Marivaux or Shakespeare. It is a splendid occasion to dream with Rossini of our great outbursts of freedom in a work imbued with enthusiasm and lightness. "

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Coproducteur