Name: La clemenza di Tito
Start: 2018-11-08T00:00:00.000Z
End: 2018-12-19T00:00:00.000Z
Location: Stadttheater Klagenfurt

Admin

Organization

Tenor

Attilio Glaser

Titus

Soprano

Sofia Soloviy

Vitellia

Bryony Dwyer

Servilia

Countertenor

Anaïk Morel

Sesto

Feride Büyükdenktas

Annio

Bass

Nicholas Crawley

Publio

Conductor

Nicholas Carter

Stage director

Marco Štorman

Set designer

Demian Wohler

Costume designer

Anika Marquardt

Chorus master

Günter Wallner

Dramaturge

Markus Hänsel

Stadttheater Klagenfurt

Others

Chor des Stadttheaters Klagenfurt

Orchestra

Kärntner Sinfonieorchester

italiera

La clemenza di Tito -  (The Clemency of Titus)

Klagenfurt

Austria

La clemenza di Tito Mozart

Public

The Clemency of Titus

alemana

Approved

LA CLEMENZA DI TITO Dramma serio per musica by Wolfgang Amadeus Mozart Stadttheater Klagenfurt MUSICAL DIRECTION Nicholas Carter, Michael Spassov (13, 15, 17 Nov 18) DIRECTOR Marco Štorman STAGE Demian Wohler COSTUMES Anika Marquardt, Benjamin Burgunder CHOIR STUDY Günter Wallner DRAMATURGY Markus Hänsel Tito: Attilio Glaser Vitellia: Sofia Soloviy Servilia: Bryony Dwyer Sesto: Anaïk Morel Annio: Feride Büyükdenktas Publio: Nicholas Crawley Titos Schatten: Thomas Vigele RECITATIVE ACCOMPANYING HAMMERKL AVIER Tatiana Vassilieva VIOLONCELLO Wilhelm Pflegerl / Klaus Altorff Carinthian Symphony Orchestra Choir of the Stadttheater Klagenfurt Extras of the Stadttheater Klagenfurt

In Wolfgang Amadeus Mozart's penultimate opera, a typical plot of a baroque opera seria, rich in complicated intrigues, unfolds. Marco Štorman returns to Klagenfurt for his production of La clemenza di Tito , with chief conductor Nicholas Carter taking over the musical direction. The tenor Attilio Glaser, who introduced himself to the Klagenfurt audience last season with Massenet's Werther , can be heard in the title role.
The reason for Mozart's composition was the Prague coronation of Emperor Leopold II as King of Bohemia in 1791 - reason enough for the Bohemian estates to choose an opera subject that praised the goodness and wisdom of a ruler. For although Tito is betrayed by his closest confidants in the course of the story, in the end he shows clemency, pardons them and thus saves them from death in the arena.

But the emperor's selfless clemency is ambiguous. A look at his history reveals a picture of a brutal general building all his goodness on the foundation of his previous wars and atrocities. This is how the portrait of a man who stands between a shiny facade and the suppression of his dark past becomes clear.

English

Emanaldia kredituak (Antzezleku eta Ekipa )

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