Name: La clemenza di Tito
Start: 2023-01-21T00:00:00.000Z
End: 2023-05-02T00:00:00.000Z
Location: Theater am Domhof

Organization

Maestro

Andreas Hotz

Cenógrafo

Marc Weeger

Estilista

Mestre de Coro

Sierd Quarré

Dramaturgo

Juliane Piontek

Designer de Som

Jan van Triest

Cantor

Tenor

Aljoscha Lennert

Tito Vespasiano

Soprano

Marysol Schalit

Vitellia

Contratenor

Olga Privalova

Sesto

Julie Sekinger

Servilia

Baixo

Erik Rousi

Publio

Anna Kudriashova-Stepanets

Annio

Designer de Iluminação

Ernst Schießl

Assistant Director

Stephanie Schümann

Assistant Set Designer

Margarita Bock

Ralf Berning

Diretor de Palco

Hendrik Müller

Theater Osnabrück

Orchestra

Osnabrücker Symphonieorchester

Others

Opera choir of the Osnabrück Theater

italiano

La clemenza di Tito -  (A clemência de Tito)

Osnabrück

Alemanha

Theater am Domhof

Titus: La clemenza di Tito

Public

A clemência de Tito

alemão

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Vídeo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baixo-barítono

Mezzo-soprano

Barítono

Alto

Silent

Spoken

Vocalista Infantil

OPER VON WOLFGANG AMADEUS MOZART Titus Oper · Theater am Domhof Premiere 21.01.2023 Dauer ca. 2 Stunden, 30 Minuten, Pause nach dem 1. Akt  „Ein aufwühlender…

Titus - Generalmusikdirektor Andreas Hotz im Interview

Hand enough, a particularly good one, or does he only do it to increase his own power? This question, already posed by Immanuel Kant, looms over Mozart's last opera LA CLEMENZA DI TITO (Titus' clemency), which he wrote in 1791 for the coronation of Leopold II.

Vitellia, daughter of the assassinated Roman emperor Vitellius, had hoped to be married by Titus and thus return to the throne as the emperor's wife. But Titus ignores her in his marriage plans. To avenge her injured pride, Vitellia plots to assassinate Titus. But the emperor survived the attack. Instead of cruelty, he shows leniency. He forgives the conspirators to make peace.

Appropriately for a coronation opera, in LA CLEMENZA DI TITO Mozart formulates the requirements of a good ruler who has to subordinate his personal inclinations to reasons of state and should always strive for reconciliation. In doing so, Mozart forms the individual characters in the most precise way in terms of music psychology and creates a true drama of relationships in tones.

English

Ist ein Herrscher, der seinen Attentätern verzeihend die Hand reicht, ein besonders guter oder tut er es nur, um seiner eigenen Macht mehr Größe zu verleihen? Diese Frage, die schon Immanuel Kant gestellt hat, schwebt über Mozarts letzter Oper La clemenza di Tito (Die Milde des Titus), die uns in das antike Rom mitnimmt. Vitellia, Tochter des ermordeten römischen Kaisers Vitellius, hatte gehofft, von Titus geheiratet zu werden und somit als Frau des neuen Kaisers auf den Thron zurückkehren zu können. Aber Titus übergeht sie bei seinen Heiratsplänen. Um ihren verletzten Stolz zu rächen, betreibt Vitellia eine Verschwörung mit dem Ziel der Ermordung Titus. Doch der Kaiser überlebt den Anschlag. Statt Grausamkeit lässt er Milde walten. Er verzeiht den Verschwörern, um Frieden zu stiften.

In La clemenza di Tito, 1791 anlässlich der Krönung Leopolds II. geschrieben, formuliert Mozart die idealen Ansprüche an einen guten Herrscher, der seine persönlichen Neigungen der Staatsräson unterzuordnen hat und sich stets um Versöhnung bemühen sollte. Dabei formt Mozart die einzelnen Figuren musikpsychologisch genauestens aus und schafft ein wahres Beziehungsdrama in Tönen.

Deutsch

A clemência de Tito by Mozart, sab 21 jan 2023, De (2023/2023), Dirigido por Hendrik Müller,, Regente Andreas Hotz, Theater am Domhof, Osnabrück, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Vídeos

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos