Organization

Dyrygent

Ralf Weikert

Reżyseria

Pet Halmen

Scenografia

Kostiumy

Reżyseria światła

Eduard Stipsits

Śpiewak

Tenor

Zoran Todorovich

Tito Vespasiano

Sopran

Véronique Gens

Vitellia

Dawn Kotoski

Servilia

Kontratenor

Annette Seiltgen

Sesto

Debora Beronesi

Annio

Alfonso Echeverría

Publio

Teatro Real de Madrid

Others

Choir of the Community of Madrid

Orchestra

Orquesta Sinfónica de Madrid

La clemenza di Tito -  (Łaska Tytusa)

Madryt

Hiszpania

Teatro Real

La clemenza di Tito is one of W.A. Mozart's last three great works and his last serious opera. It had been many years since he had written a work in this style and it was because of a commission that he returned to it. He wrote La clemenza di Tito, numbered K 621, when he had almost finished The Magic Flute (K 620) and at a time when he was considering, because of the famous and mysterious commission, the creation of his Requiem, which would be an immortal work for others and mortal for the composer himself (K 626). The numerations themselves already show that they occupy the highest figures in a work as abundant as it is surprising in a man who died at the age of 35. Listening to La clemenza, we must therefore place ourselves in the vitally convulsive moments of great creativity that preceded his death.

La clemenza di Tito

Public

Łaska Tytusa

Approved

Łaska Tytusa by Mozart, od (1999/1999), W reżyserii Pet Halmen,, Dyrygent Ralf Weikert, Teatro Real, Madryt, Hiszpania

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca