Name: La Damnation de Faust
Start: 2023-07-11T00:00:00.000Z
End: 2023-07-30T00:00:00.000Z
Location: Domplatz

Organization

DomStufen-Festspiele

Conductor

Yannis Pouspourikas

Stage director

Ben Baur

Set designer

Costume designer

Uta Meenen

Choreographer

Rachele Pedrocchi

Singer

Soprano

Alexandra Yangel

Marguerite

Julie Robard-Gendre

Emily Lorini

Tenor

Jongwoo Kim

Faust

Christophe Berry

Matjaž Stopinšek

Bass

Andrea Vittorio De Campo

Mephistopheles

Máté Sólyom-Nagy

Jean Luc Ballestra

Simon Stricker

Brander

Changdai Park

Corina Shapoval

Aerial

Julia Katharina Wutte

Milena Junge

Others

Opernchor des DNT, Opernchor des Theater Erfurt

Philharmonischer Chor Berlin

Orchestra

Philharmonisches Orchester Erfurt

Opernchor des Theaters Erfurt

프랑스어

La Damnation de Faust -  (The Damnation of Faust)

Erfurt

Germany

Domplatz

Public

The Damnation of Faust

독일어

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Baritone

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Bass-baritone

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La Damnation de Faust Berlioz

Allen Beteiligten wünschen wir TOI TOI TOI für die heutige Premiere von FAUSTS VERDAMMNIS und uns allen wunderbare 30. DomStufen-Festspiele in Erfurt. Außerd...

What fascinates us most about the works of Hector Berlioz today, is what irritated and repelled his contemporaries – the unrestrained proliferation of his imagination. By his very nature, he was drawn to the Faust legend, which was perceived as highly Romantic. He incorporated the “Ride to Hell”, “Chorus of the Damned” and “Marguerite’s Transfiguration” into his own Faust adaptation. He used orchestration on a grandiose scale and magnificent choral scenes to create infernal visions and spherical sounds.

However, although he dealt freely with the dramatic structure of Goethe’s poetry, he felt that it was his duty to retain the spirit of the work: our search for meaning between our lust for life, our calling and our moral standards. Berlioz’s Faust also wakes to new life with the arrival of the spring, until a warlike scene transforms his exuberance to depression. Only an Easter chorale changes his sadness to happy expectation and prepares him for Mephistopheles and his offer to show him the “true world”. After an excessive drinking session in Auerbach’s Cellar, the great tempter Mephistopheles awakens the longing in Faust for the beautiful young Marguerite. Faust’s desire becomes so strong that gives in completely to Mephistopheles’ temptation.

English

Heute fasziniert an den Werken von Hector Berlioz vor allem das, was bei seinen Zeitgenossen Irritationen und Ablehnung auslöste – das Ungezügelte, Ausufernde seiner Fantasie. Sein Wesen prädestinierte ihn gerade für die Auseinan­dersetzung mit dem als hochro­mantisch empfundenen Faust-Stoff. „Höllenritt", „Chor der Höllengeister" und „Margue­rites Verklärung" griff er in seiner Faust-Adaption wieder auf. Mit grandiosem Orchesterapparat und großartigen Chorszenen vermochte er, Visionen des Infernalischen und sphärenhafte Klänge zu erzeugen.

So frei er mit dem Handlungsgerüst von Goethes Dichtung auch umging, dem Geist des Werkes fühlte er sich verpflichtet: die Sinnsuche des Menschen zwischen Lebensgier, Berufung und Moral. Auch Berlioz' Faust erwacht mit der frühlingshaften Natur zu neuem Leben, bis er durch eine kriegerische Szenerie aus seinem Überschwang in Depressionen verfällt. Erst ein Osterchoral wandelt seine Traurigkeit in freudige Erwartung und macht ihn bereit für Mephistos Angebot, ihm die „wahrhaftige Welt" zu zeigen. Nach dem Besäufnis in Auerbachs Keller weckt der große Verführer Mephisto in Faust die Sehnsucht nach der schönen jungen Marguerite. Fausts Verlangen wird so stark, dass er sich nun uneingeschränkt der Führung Mephistos ausliefert.

Deutsch

The Damnation of Faust by Berlioz, 수 12 7월 2023, 에서 (2023/2023), 감독 Ben Baur,, 지휘자 Yannis Pouspourikas, Domplatz, Erfurt, Germany

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