Organization

Sopran

Emily Birsan

Giuditta

Tenor

Sophie Michaux

Oloferne

Mezzosopran

Sarah Brailey

Ozia

William Dwyer

Achiorre

Śpiewak

David Govertsen

Sacerdote

Dyrygent

Craig Trompeter

Orchestra

Haymarket’s acclaimed orchestra

Haymarket Opera

La Giuditta

Chicago

Stany Zjednoczone

La Giuditta Scarlatti,A

Public

Private

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baryton

Singer

Kontratenor

Bas - baryton

Kontralt

Spoken

Głos dziecięcy

Silent

Alto

Continuo

The gory violence of the biblical Judith’s beheading of Holofernes was depicted with vivid realism and chiaroscuro by painters including Caravaggio, Artemisia Gentileschi, and Rubens. The drama and sharp colors in the paintings find their musical equivalent in Alessandro Scarlatti’s oratorio, La Giuditta. The story of Judith offered a comforting lesson about divine protection, especially relevant while the Catholic alliance was frequently in conflict with the Ottoman empire, an enemy easily identified with Holofernes. While operas were typically performed during carnival, oratorios were Lenten entertainments designed to encourage devotion. In Rome both operas and oratorios featured all-male casts, with soprano and alto castrati taking roles as male and female characters. 

The Patron


Naples, A Festival with a Cuccagna at the Largo di Palazzo by Antonio Joli (1756–58)

The five-voiced La Giuditta was composed in Naples in 1693 on commission from Cardinal Pietro Ottoboni, author of the libretto. As vice-chancellor of the Church in Rome, Ottoboni lived and entertained in the huge Roman palace known as the Palazzo della Cancelleria. He enjoyed a plentiful income, many pleasures, and many mistresses (it is estimated that he fathered some 60 children). Scarlatti’s oratorio was just one among many excellent musical events he sponsored

English

La Giuditta by Scarlatti, Alessandro, od (2023/2023), Dyrygent Craig Trompeter

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca