Organization

Dramaturgia

Christophe Mirambeau

Śpiewak

Sopran

Judith Fa

Emma

Mezzosopran

Anne-Aurore Cochet

Maud

Baryton

Mathieu Dubroca

Evariste Chanterelle

Tenor

Richard Delestre

Frisotin

Jean-Baptiste Dumora

Saint-Pierre

Olivier Podestà

Martel

Reżyseria

Pascal Neyron

Dyrygent

Nicolas Chesneau

Reżyseria światła

Philippe Albaric

Kostiumy

Sabine Schlemmer

Scenografia

Caroline Ginet

Przygotowanie chóru

Delphine Dussaux

Stéphanie Guérin

Les élues

Mathilde Ortscheidt

Marion Vergez-Pascal

Athénée Théâtre Louis-Jouvet

Théâtres de Compiègne

Orchestra

Orchestre des Frivolités Parisiennes

Là-haut -  (Tam na górze)

Paryż

Francja

Grande Salle

Là-haut Yvain

Public

Tam na górze

Approved

Les Frivolités Parisiennes retrouvent le compositeur Maurice Yvain pour un Là-Haut déjanté, sous la baguette de Nicolas Chesneau et dans une mise en scène de...

Parisian frivolities are back at the Théâtre Impérial - Opéra de Compiègne with “Là-haut”, an operetta from the 1920s! For you, we went behind the scenes to attend the rehearsals of this opera-bouffe which immerses us in the heart of Paris during the Roaring Twenties. Its now famous story recounts the journey of Evariste, a newcomer to Paradise, and Frisotin, his Guardian Angel who decide to descend to Earth disguised as an aviator. Both promise Saint-Pierre to return before midnight, but this promise will be very difficult to keep... Come and applaud "Up" this Tuesday, February 22 at the Imperial Theater - Opéra de Compiègne, on March 6 at the Atelier lyrique de Tourcoing and finally from March 18 to 31 at the Athénée in Paris.

Maurice Yvain (1891-1965), a popular jack-of-all-trades musician of the interwar period, composed the operetta Là-haut in 1923, performed at its creation by Maurice Chevalier and his partner Yvonne Vallée. We follow Evariste Chanterelle, freshly welcomed by Saint-Pierre, observing from the sky his wife become the prey of another man, Evariste Chanterelle, who returns to earth to thwart this situation. Will he take the opportunity to unravel the myth of Orpheus and Eurydice by voluntarily bringing his other half to heaven with him?

In the pit, the Orchester des Frivolités Parisiennes has placed, since its creation in 2012, the rediscovery of the French lyrical repertoire of the 19th and 20th centuries at the heart of its projects

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent