Name: La Périchole
Start: 2018-05-19T00:00:00.000Z
End: 2018-05-19T00:00:00.000Z
Location: Haus für Mozart

Organization

Сопрано

Olivia Doray

Гвадалена

Меццо-сопрано

Léa Desandre

Мастрилла

Нинетта

Mélodie Ruvio

Бергинелла

Фраскинелла

Дирижер

Marc Minkowski

Драматург

Romain Gilbert

Aude Extrémo

Перикола

Тенор

Benjamin Bernheim

Пикилло

Баритон

Alexandre Duhamel

Дон Андре де Рибейра

Éric Huchet

Граф Мигель де Панателла

Marc Mauillon

Дон Педро де Гимойоза

Разговорная роль

Rémy Mathieu

Маркиз де Терапо

François Pardailhé

Двое нотариусов

Мануэлита

Adriana Bignagni Lesca

Брамбилла

Хормейстер

Salvatore Caputo

Salzburger Festspiele

Wiener Staatsoper

Others

Bordeaux National Opera Choir

Orchestra

Les Musiciens du Louvre Grenoble

французский

немецкий

La Périchole -  (Перикола)

Зальцбург

Австрия

Haus für Mozart

La Périchole Offenbach

Public

Private

английский

Одобрено

Paris 1868. Decades after the Rossini craze, a German-born Frenchman whipped the audiences of the Second French Empire into the same enthusiastic frenzy which once greeted the Italian master’s comic operas. Jacques Offenbach was at the height of his fame and the Parisian public couldn’t get enough of Orphée aux enfers or La Belle Hélène. La Périchole, perhaps the most charming of Offenbach’s masterful operettas, was another product of his successful partnership with the librettists Meilhac and Halévy. The work brims over with sparkling wit, satirical bite and riotous merriment, but also strikes a more sentimental note — understandably so, as the subject has its tragic aspects. When the Viceroy of Peru once again takes to the streets of Lima incognito (or so he thinks) in order to check the pulse of public opinion, he becomes smitten with the penniless street singer Périchole and starts to make plans for her, beginning with an invitation to his court. The offer of an escape from hardship sways Périchole into accepting, and with a heavy heart she pens a letter of farewell to her beloved companion Piquillo. ‘What transports of love can one hope to enjoy when one is dying of hunger?’, she asks in her letter aria, with which Offenbach’s favourite singer Hortense Schneider had already moved listeners to tears.

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль

Сопродюсер