Organization

Chanteur

Soprano

Joana Gedmintaite

Violetta Valéry

Viktorija Miskunaite

Katerina Estrada Tretyakova

Ténor

Michael Spadaccini

Alfredo Germont

Baryton

Vytautas Juozapaitis

Giorgio Germont

Arunas Malikenas

Kostas Smoriginas

Mise en scène

Fabio Ceresa

Direction d'orchestre

Ričardas Šumila

Julius Geniušas

Costumes

Giuseppe Palella

Décors

Tiziano Santi

Chorégraphie

Mattia Agatiello

Direction de choeur

Česlovas Radžiūnas

Regina Silinskaite

Flora Bervoix

Mindaugas Jankauskas

Gaston de Letorières

Rafailas Karpis

Karolis Kašiuba

Liudas Norvaisas

Baron Douphol

Steponas Zonys

Basse

Kšištof Bondarenko

Docteur Grenvil

Egidijus Dauskurdis

Jevgenij Chrebtov

Marquis d'Obigny

Mezzo-soprano

Monika Pleškytė

Annina

Merunas Vitulskis

Ieva Juozapaitytė

Domestique

Marija Arutiunova

Dainius Stumbras

Lumières

Levas Kleinas

Joris Rubinovas

Ieva Barbora Juozapaitytė

Lithuanian National Opera and Ballet Theatre

italien

La Traviata -  (La traviata)

Vilnius

Lituanie

Main Stage

La traviata Verdi

Public

La traviata

lituanien

anglais

Valide

G. Verdi’s La Traviata is one of the most popular and most produced operas in the world. This work also marked the beginning of Lithuanian opera, which celebrates its centenary on the 31 December 2020. In the repertoire of LNOBT, since the establishment of the theater, it has not been performed for only a couple of years, so we often call it “national Lithuanian opera”. Throughout the 20th century and until 2002 we greeted the New Year by raising champagne glasses together with Violetta and Alfredo. For a while, this tradition was gone, but on 31 December 2021, while celebrating the 100th anniversary of Lithuanian opera, we shall once again spend New Year’s Eve with the sound of La Traviata. This will be the ninth production of this opera at the LNOBT.

The director of the new production Fabio Ceresa says: “First of all, in the production I am looking for the effect of surprise, which we experience when we see beautiful scenes, well-groomed costumes. It is of course important to focus on the ideas of dramaturgy and the essence of the performance, but the aesthetic beauty only enhances the value of art, the eye-catching image conveys the true magic of opera. The costumes of my production are infused with luxury, history, fantasy – it contributes to the creation of that magic. The same is true of the scenography: it is rich, luxurious, evoking sense of aesthetic satisfaction. This is very important to me indeed. It is an integral part of the opera, which I believe is important to preserve and convey.“

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage