Organization

Singer

Soprano

Joana Gedmintaite

Violetta Valery

Viktorija Miskunaite

Katerina Estrada Tretyakova

Tenor

Mickael Spadaccini

Alfred Germont

Baritone

Vytautas Juozapaitis

George Germont

Arunas Malikenas

Kostas Smoriginas

Stage director

Fabio Ceresa

Conductor

Ričardas Šumila

Julius Geniušas

Costume designer

Giuseppe Palella

Set designer

Tiziano Santi

Choreographer

Mattia Agatiello

Chorus master

Česlovas Radžiūnas

Regina Silinskaite

Flora Bervoix

Mindaugas Jankauskas

Gaston

Rafailas Karpis

Karolis Kašiuba

Liudas Norvaisas

The Baron Douphol

Steponas Zonys

Bass

Kšištof Bondarenko

The doctor Grenvil

Egidijus Dauskurdis

Jevgenij Chrebtov

The Marquis of Obigny

Mezzo-soprano

Monika Pleškytė

Annina

Merunas Vitulskis

Ieva Juozapaitytė

Flora's Servant

Marija Arutiunova

Dainius Stumbras

Lighting designer

Levas Kleinas

Joris Rubinovas

Ieva Barbora Juozapaitytė

Lithuanian National Opera and Ballet Theatre

Taljan

La Traviata -  (La traviata)

Vilnius

Lithuania

Main Stage

La traviata Verdi

Public

La traviata

Litwanjan

Ingliż

Approved

G. Verdi’s La Traviata is one of the most popular and most produced operas in the world. This work also marked the beginning of Lithuanian opera, which celebrates its centenary on the 31 December 2020. In the repertoire of LNOBT, since the establishment of the theater, it has not been performed for only a couple of years, so we often call it “national Lithuanian opera”. Throughout the 20th century and until 2002 we greeted the New Year by raising champagne glasses together with Violetta and Alfredo. For a while, this tradition was gone, but on 31 December 2021, while celebrating the 100th anniversary of Lithuanian opera, we shall once again spend New Year’s Eve with the sound of La Traviata. This will be the ninth production of this opera at the LNOBT.

The director of the new production Fabio Ceresa says: “First of all, in the production I am looking for the effect of surprise, which we experience when we see beautiful scenes, well-groomed costumes. It is of course important to focus on the ideas of dramaturgy and the essence of the performance, but the aesthetic beauty only enhances the value of art, the eye-catching image conveys the true magic of opera. The costumes of my production are infused with luxury, history, fantasy – it contributes to the creation of that magic. The same is true of the scenography: it is rich, luxurious, evoking sense of aesthetic satisfaction. This is very important to me indeed. It is an integral part of the opera, which I believe is important to preserve and convey.“

English

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ekwipaġġ