Admin

Organization

Chanteur

Soprano

Olesya Golovneva

Violetta Valéry

Ténor

Pavel Valuzhin

Alfredo Germont

Christian Georg

Baryton

Ivan Krutikov

Giorgio Germont

Mark Morouse

Basse

Leonard Bernad

Docteur Grenvil

Taras Ivaniv

Gaston de Letorières

Johannes Marx

Baron Douphol

Boris Beletskiy

Marquis d'Obigny

Sven Bakin

Domestique

Direction d'orchestre

Dirk Kaftan

Mise en scène

Andreas Homoki

Décors

Frank Philipp Schlößmann

Costumes

Gabriele Jaenecke

Lumières

Thomas Roscher

Direction de choeur

Marko Medved

Susanne Blattert

Flora Bervoix

Josef Michael Linnek

Giuseppe

Assistant Director

Mark Daniel Hirsch

Assistant

Ansgar Baradoy

Assistant costumes

Dieter Hauber

Stage Manager

Gerald Stollwitzer

Mezzo-soprano

Anjara Ingrid Bartz

Annina

Anthéa

Orchestra

Beethoven Orchester

Others

Choir of the Bonn Theater

La Traviata -  (La traviata)

Antibes

France

Salle Jacques Audiberti

Public

La traviata

Valide

La traviata Verdi

the story
Violetta, a famous Parisian courtesan delights in her role as a "perverted" woman. She gets dizzy in luxury and pleasures to forget the terrible disease that the threat. During one of the parties she gives at her house, Violetta falls under the spell of Alfredo Germont, a young provincial. This sincere love diverts her from her dissolute life. Far from the turpitudes of the capital, she retires with Alfredo in the countryside where she hopes to lead a life without task. But Alfredo's father comes to beg her to break up a scandalous liaison which makes impossible the marriage of the Alfredo's younger sister...

What they say
La Traviata is undoubtedly the only opera totally inscribed in the 19th century and in same timeless. That's why I created it at the both with period costumes and at the same time in a very contemporary decor, with a large parquet floor elegant and cold. But it is above all an opera which is placed under the aegis of a double moral where a woman serves the interests of a man of high society. So much that she will do it successfully, she will benefit from a life easy. If she deviates from her role, she will be ejected. as such, it is a theme of yesterday, today and probably tomorrow… Andreas Homoki

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble