Name: La Vergine dei dolori
Start: 2008-07-09T00:00:00.000Z
End: 2008-07-11T00:00:00.000Z
Location: Grand Théâtre de Bordeaux

Admin

Organization

Singer

Anna Simboli

San Giovanni

Sara Mingardo

Maria

Mezzo-soprano

Romina Basso

Nicodemo

Tenor

Daniele Zanfardino

Onia

Conductor

Rinaldo Alessandrini

Stage director

Ingrid von Wantoch Rekowski

Set designer

Nicola Rubertelli

Costume designer

Christophe Pidré

Lighting designer

Claudio Schmid

Opéra National de Bordeaux

Others

Concerto Italiano

La Vergine dei dolori -  (The Virgin of Sorrows)

Bordeaux

France

Grand-Théâtre

Grand Foyer

The Virgin of Sorrows

Approved

Grand Théâtre de Bordeaux

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Soprano

Contralto

Baritone

Bass-baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

The Virgin of Sorrows Oratorio for four voices after La Vergine addolorata c reated in Salerno in 1717

Production Teatro San Carlo in Naples

I kiss you, oh beloved face that made me happy. Here you are extinguished and become my martyrdom.
The Virgin of Sorrows - Mary, Part Two

If La Vergine dei dolori , a major score by the prolific Alessandro Scarlatti, was a great success when it was premiered in 1717, it is because of its obvious musical richness, combining arias filled with emotion, particularly expressive recitatives and accompaniments by a noble sobriety. Drawing this pearl from oblivion, Rinaldo Alessandrini gives it a deep mystical breath, illustrated — like a tableau vivant — by Ingrid von Wantoch Rekowski. Also this exciting oratorio imposes itself as an “essential” of Marian music. Duration: about 2 hours

English

La Vierge des douleurs Oratorio à quatre voix d’après La Vergine addolorata créé à Salerno en 1717

Production Teatro San Carlo de Naples

Je t’embrasse, ô visage aimé qui faisait ma joie. Te voici éteint et devenu mon martyre.
La Vierge des douleurs - Marie, Deuxième partie

Si La Vergine dei dolori, partition majeure du prolixe Alessandro Scarlatti, obtînt un vif succès lors de sa création en 1717, c’est en raison de son évidente richesse musicale conjuguant arias emplis d’émotion, récitatifs particulièrement expressifs et accompagnements d’une noble sobriété. Tirant cette perle de l’oubli, Rinaldo Alessandrini lui donne un souffle mystique profond, illustré — à la manière d’un tableau vivant — par Ingrid von Wantoch Rekowski. Aussi ce passionnant oratorio s’impose-t-il comme un « incontournable » de la musique mariale. Durée : environ 2 heures

français

The Virgin of Sorrows by Scarlatti, Alessandro, ol. 11 uzt. 2008, Noiztik (2008/2008), Zuzendaria Ingrid von Wantoch Rekowski,, Zuzendaria Rinaldo Alessandrini, Grand Théâtre de Bordeaux, Bordeaux, France

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