Name: La Voix humaine
Start: 2013-02-19T00:00:00.000Z
End: 2013-02-19T00:00:00.000Z
Location: Theater an der Wien

Organization

Sångare

Soprano

Angelika Kirchschlager

Elle

Dirigent

Stefan Vladar

Libretto

Gian Carlo Menotti

Jean Cocteau

Klemens Sander

baritone

Jennifer Davison

MEZZO-SOPRANO

MusikTheater an der Wien

La Voix humaine

Wien

Österrike

Theater an der Wien

The Telephone

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Contralto

Tenor

Bass-baritone

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

LA VOIX HUMAINE
Francis Poulenc set the last phone call a woman made to her lover in his 1959 lyrical tragedy La voix humaine based on the play by Jean Cocteau. In the one-act play, the woman tries to make one last emotional contact through the phone and to keep an idea of ​​her lover. But the conversation remains the lonely monologue of the lonely woman. The piece addresses the social interaction with the already established medium of the telephone. Communicating with it means making everyday life easier through technical development, but human speechlessness remains the same.

THE TELEPHONE, OR L´AMOUR Á TROIS
Gian Carlo Menotti's comic one-act opera The Telephone, or L'amour à trois (1947) shows a couple with a problem: the telephone. Ben wants to propose to Lucy before he leaves, but Lucy is so fixed on her phone that he just doesn't get a chance to speak. The only way to make yourself heard is to call Lucy and propose to her over the phone. Ben realizes that a love between him and Lucy will always be a threesome, a love with the phone. Menotti shows in his libretto that the telephone has already established itself in society.

English

La Voix humaine by Poulenc, The Telephone by Menotti, Från (2013/2013), Dirigent Stefan Vladar, Theater an der Wien, Wien, Österrike

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