Organization

Escenografía

Escenografía (+1)

Rifail Ajdarpasic

Diseño de vestuario

Ariane Isabell Unfried

Dramaturgo

Dramaturgo (+1)

Marlene Hahn

Bajo (+4)

Randall Jakobsh

Boris Timofeyevich Izmailov

Tenor (+1)

Matthias Stier

Zinovi Borisovich Izmailov

Brenden Gunnell

Serguei

Bajo (+2)

Ivo Stánchev

Sacerdote

Tenor (+4)

Sven Hjörleifsson

Profesor

Bajo (+3)

Peter Dolinsek

Viejo Convicto

Dirección de escena

Dirección de escena (+2)

Francisco Negrín

Tenor (+5)

Dan Karlström

Der Schäbige

Mezzosoprano (+4)

Nora Steuerwald

Sonjetka

Fantasma de Boris Timofeyevich

Oper Leipzig

Chorus

Chor der Oper Leipzig

Orchestra

Gewandhausorchester

Iluminación

Michael Röger

Video

Marc Molinos

Soprano

Ingela Brimberg

Katerina

Soprano (+1)

Friederike Meinke

Aksinya

Barítono (+1)

Christian Moellenhoff

Hausknecht

Ervin Ahmeti

1. Vorarbeiter / Kutscher

Tenor (+2)

Einar Dagur Jónsson

3. Vorarbeiter / Betrunkener Gast

Barítono (+4)

Marian Müller

Bote (Mühlenarbeiter)

Vincent Turregano

Barítono (+3)

Franz Xaver Schlecht

Polizeichef

Polizist

Bajo (+1)

Kwangmin Seo

Sargento de prisión

Frank Wernstedt

Soprano (+2)

Kamila Dziadko

Zwangsarbeiterin

Dirección coral

Dirección coral (+3)

Thomas Eitler-de Lint

Inspector de policía

Opernhaus

Bajobarítono (+5)

Michael Raschle

Verwalter / Wächter

Dirección orquestal

Dirección orquestal (+1)

Fabrizio Ventura

Christoph Gedschold

Bajobarítono (+2)

Liam James Karai

To what lengths may a person to go to free themselves from terrible circumstances? The young Katerina, married into wealth yet lonely nonetheless, imprisoned in a mercilessly cold world dominated by men and controlled by its police force, is longing for something more. She is forced to hide her joie de vivre on account of her tyrannical father-in-law, and suppress her desires for love because her husband is impotent and distant. When he is away and the bravado Sergei starts working on the farm, she seems to have found a way out of this dull situation devoid of action. But in the end, four people are dead, including a murderess. Premiered in Leningrad in 1934, the acclaimed opera was intended to further fuel the promising career of the then 24-year-old Dmitri Shostakovich.But one visit to a performance by Stalin was enough for him to suspect the celebrated star of being a potential enemy of the regime. From then on, Shostakovich was forced to live and compose in oppressive fear. Yet where words are forbidden, his musical world simmers, sizzles and lies in wait to explode at the next touch.

Lady Macbeth of Mtsensk, Op. 29 (Lady Macbeth del distrito de Mtsensk), Shostakovich

Elenco

Boris

Zinovyi

Sergey

Svyashchennik

Uchitel

Old Convict

Der Schäbige

Sonjetka

Prizrak Borisa Timofeyevicha

Katerina

Aksinya

Hausknecht

1. Vorarbeiter / Kutscher

3. Vorarbeiter / Betrunkener Gast

Bote (Mühlenarbeiter)

Polizeichef

Polizist

Sergeant

Zwangsarbeiterin

Pristav

Verwalter / Wächter

Equipo

Dirección de escena

Dirección orquestal

Escenografía

Diseño de vestuario

Dirección coral

Iluminación

Dramaturgo

Video

Instrumentación

Productor

Productor

Ensamble

Orquesta

Coro

Coproductor

Fotografías

Sobre

Compositor

Libreto

Descripción

Sinopsis de Producción