Name: L'anima del filosofo
Start: 2009-09-25T00:00:00.000Z
End: 2009-09-25T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Soprano

Simone Kermes

Euridice

Tenor

Paul Agnew

Orfeo

Bass

Jonathan Lemalu

Creonte

Conductor

Paul Goodwin

Lorna Anderson

Genio

MusikTheater an der Wien

Orchestra

Kammer Orchester Basel

Others

Wiener Kammer Chor

Taljan

L'anima del filosofo -  (The Soul of the Philosopher)

Vienna

Austria

Theater an der Wien

The Soul of the Philosopher

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Contralto

Bass-baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

When his employer Nikolaus I died in September 1790, Joseph Haydn lost his position as princely conductor at the Esterháza court after 30 years. The London impresario Johann Peter Salomon immediately traveled to Vienna when he heard of the chance to lure the free Haydn to England. Haydn was to perform twelve symphonies and one opera seria in London. But no sooner had Haydn started rehearsals for L'anima del filosofo at the Haymarket Theater than the authorities interrupted the rehearsal of the opera on behalf of the king. Haydn got caught in a typical London opera dispute. The former solo dancer Giovanni Andrea Gallini wanted to rebuild the Haymarket Theater as an Italian opera house after a fire and establish it as a competitor to the royal patronage of the Pantheon. The eldest son of the king, the Prince of Wales, supported Gallini. But the king himself, George III, refused the necessary concessions. All performances of L'anima del filosofo had to be canceled.

The librettist Carlo Francesco Badini used the popular material by Orpheus and Eurydice for “L'anima del filosofo”. In contrast to the famous setting for Gluck, he and Haydn did not envisage a triumph of love over death. The opera is said to be “of a completely different kind to that of Gluck” noted Haydn on January 8, 1791. Even in antiquity, the idea of ​​Orpheus as a philosopher, who with his singing could not only appease wild animals, but also people that civilization is said to have brought. Opposite him is Eurydice as a symbol for justice and the right measure, which Orpheus teaches to curb his desires.

As an opera composer, Haydn mainly worked for the small circumstances of the Esterházy theater. When he started working on L'anima del filosofo, it had been seven years since he had completed his last opera Armida. It could have been his greatest success, but Haydn never heard his opera himself and did not compose another one until his death in 1809. The work was not premiered in Florence until 1951.

English

The Soul of the Philosopher by Haydn, Minn (2009/2009), Surmast Direttur Paul Goodwin, Theater an der Wien, Vienna, Austria

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ensemble

Programm, Dwar & Sinossi

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