Name: Le Grand Macabre - Ligeti
Start: 2018-12-07T00:00:00.000Z
End: 2018-12-07T00:00:00.000Z
Location: Philharmonie de Paris

Admin

Cité de la Musique/Philharmonie de Paris

Conductor

Conductor (+1)

Matthias Pintscher

Others

Hungarian National Choir

Chorus master

Csaba Somos

Singer

Mezzo-soprano

Marie Soubestre

Soprano

Makeda Monnet

Victoire Bunel

Mezzo soprano

Soloist

Tenor (+1)

Benoît Rameau

Bass

Jenő Dékán

Baritone

Jean-Christophe Lanièce

Olivier Gourdy

Orchestre du Conservatoire de Paris

Paris Conservatory

Set designer

Kiss Borbála

Philharmonie de Paris

Le Grand Macabre - Ligeti

Paris

France

Grande Salle Pierre Boulez

Concert

Requiem

Le Grand Macabre

Arshiya Banu

Approved

Dans ce premier volet du portrait du grand maître hongrois, petit aperçu de son œuvre lyrique et vocale. À l’Ensemble intercontemporain et l’Orchestre du Conservatoire de Paris se joignent le Chœur National Hongrois.

français

In this first part of the portrait of the great Hungarian master, a brief overview of his lyrical and vocal work. The Intercontemporain Ensemble and the Paris Conservatory Orchestra are joined by the Hungarian National Choir.

György Ligeti does nothing like the others. When he took on the challenge of opera in 1974, not only did he take on an incredible subject, half farcical, half tragic, inspired by the play La Balade du Grand Macabre by the Belgian playwright Michel de Ghelderode, but he composes his music in the manner of a patchwork of operatic quotations, borrowed indifferently from Monteverdi, Mozart, Rossini, Verdi, Offenbach... Let's admit that the plot lends itself to this, since we follow a funny of a character who claims to be death himself and announces in every tone the end of the world. Regarding the end of the world, a music critic will see in Ligeti's Requiem (1965) an “end of the world seen from below”. It is certainly these airs of desolation that pushed Stanley Kubrick to use passages in his film 2001, A Space Odyssey .

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