Organization

Chanteur

Basse

Robert Gleadow

Figaro

Soprano

Angela Brower

Susanna

Megan Marino

Baryton

Florian Sempey

Le Comte Almaviva

Thomas Dolié

Ana Maria Labin

La Comtesse Almaviva

Mezzo-soprano

Miriam Albano

Cherubino

Norman D Patzke

Bartolo

Ténor

Paco Garcia

Don Basilio

Manon Lamaison

Barbarina

Antonio

Don Curzio

Mise en scène

Ivan Alexandre

Direction d'orchestre

Marc Minkowski

Lumières

Tobias Hagström Ståhl

Costumes

Antoine Fontaine

Décors

Chorégraphie

Natalie van Parys

Arianna Vendittelli

Alix Le Saux

Marcellina

Gran Teatre del Liceu

Les Musiciens du Louvre

Opéra National de Bordeaux

Orchestra

Orchestre National Bordeaux Aquitaine

italien

Le nozze di Figaro -  (Les Noces de Figaro)

Bordeaux

France

Grand-Théâtre

Trilogie Mozart/Da Ponte: Le nozze di Figaro Mozart

Public

Private

Les Noces de Figaro

Valide

Le nozze di Figaro Mozart

It was in 1786 that Mozart and the Venetian poet Da Ponte adapted Beaumarchais' scandalous play. Sensitive to the ideas of the Enlightenment and recently admitted to the Masonic Lodge “A la Charité”, the composer follows the playwright in his class struggle by exalting nobility alone, the nobility of the soul – and its corollary the genius of women. Brilliantly directed by Marc Minkowski, this production stands out as the first part of the trilogy imagined by Ivan Alexandre, during which we will follow Cherubino, a teenager moved by "all the women of the castle", destined to become the libertine Don Giovanni before the years gave him the features of the manipulator Don Alfonso in Così fan tutte...

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Coproducteur